Andy Coolquitt, ‘shelf’, 2015, Design/Decorative Art, Metal and wood, AG Ossaye Projects
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Andy Coolquitt

shelf, 2015

Metal and wood
Medium
Manufacturer
AG Ossaye Projects / Andy Coolquitt
Andy Coolquitt
American, b. 1964
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Working with scavenged objects, like beer cans, lengths of fabric, metal pipes, and lighters, Andy Coolquitt assembles sculptures meant to foster social connections and provide comfort and assistance. Though Coolquitt aims to reach out to his viewers and encourage them to interact with one another, his works have a sardonic, absurdist edge. In A Nice Soft Place for Meeting People (2010), he mounts a soft, velour-covered cushion on the wall. The cushion is large enough to accommodate multiple people, who are invited to rest against it and have a conversation. In other sculptures, Coolquitt takes on Minimalism with a DIY twist—broomsticks, light bulbs, plastic toys, and cigarette lighters come together in playful, seemingly carefree configurations. His installations often appear casual or hurried, infusing the subtle works and straightforward materials with a sense of life and aggression.

Andy Coolquitt, ‘shelf’, 2015, Design/Decorative Art, Metal and wood, AG Ossaye Projects
Save
Save
Share
Share
Medium
Manufacturer
AG Ossaye Projects / Andy Coolquitt
Andy Coolquitt
American, b. 1964
Follow

Working with scavenged objects, like beer cans, lengths of fabric, metal pipes, and lighters, Andy Coolquitt assembles sculptures meant to foster social connections and provide comfort and assistance. Though Coolquitt aims to reach out to his viewers and encourage them to interact with one another, his works have a sardonic, absurdist edge. In A Nice Soft Place for Meeting People (2010), he mounts a soft, velour-covered cushion on the wall. The cushion is large enough to accommodate multiple people, who are invited to rest against it and have a conversation. In other sculptures, Coolquitt takes on Minimalism with a DIY twist—broomsticks, light bulbs, plastic toys, and cigarette lighters come together in playful, seemingly carefree configurations. His installations often appear casual or hurried, infusing the subtle works and straightforward materials with a sense of life and aggression.

Andy Coolquitt

shelf, 2015

Metal and wood
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