Andy Warhol, ‘Geronimo (FS II.384)’, 1986, Revolver Gallery

Title: Geronimo (FS II.384)
Medium: Screenprint on Lenox Museum Board.
Year: 1986
Size: 36″ x 36″
Edition: Edition of 250, 50 AP, 15 PP, 15 HC, 10 numbered in Roman numerals, signed and numbered in pencil. Portfolio of 10.

GERONIMO 384

Geronimo 384 is a screenprint from the Cowboys and Indians series. In this series, Warhol explores the Old West as an All-American collective history. Warhol’s work creates a commentary on mass media and the way in which contrived imagery can affect how we understand our history. Images of Geronimo, Annie Oakley and Mother and Child are based on characters in the Hollywood adaptation of our history and do not truly represent the roles that these real individuals historically played.

Signature: signed and numbered in pencil.

About Andy Warhol

Obsessed with celebrity, consumer culture, and mechanical (re)production, Pop artist Andy Warhol created some of the most iconic images of the 20th century. As famous for his quips as for his art—he variously mused that “art is what you can get away with” and “everyone will be famous for 15 minutes”—Warhol drew widely from popular culture and everyday subject matter, creating works like his 32 Campbell's Soup Cans (1962), Brillo pad box sculptures, and portraits of Marilyn Monroe, using the medium of silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. Known for his cultivation of celebrity, Factory studio (a radical social and creative melting pot), and avant-garde films like Chelsea Girls (1966), Warhol was also a mentor to artists like Keith Haring and Jean-Michel Basquiat. His Pop sensibility is now standard practice, taken up by major contemporary artists Richard Prince, Takashi Murakami, and Jeff Koons, among countless others.

American, 1928-1987, Pittsburgh, Pennsylvania, based in New York, New York