Andy Warhol, ‘Alexander the Great (FS II.292)’, 1982, Revolver Gallery

Title: Alexander The Great (FS II.292)
Medium: Screenprint on Lenox Museum Board.
Year: 1982
Size: 39 1/2″ x 39 1/2″
Edition: 25, 5 AP, 1 PP, signed and numbered in pencil lower right.

Published in cooperation with the Hellenic Heritage Foundation to coincide with “The Search for Alexander” exhibition at the Metropolitan Museum of Art, New York, October 27, 1982-January 3, 1983.

Alexander the Great 292 is based on a Hellenistic bronze bust in a private Swiss collection. By the 1980s Warhol was appropriating themes from across art historical periods for use in his pop pantheon, from Nineteenth-Century European paintings to iconic Italian Renaissance portraits. Alexander the Great is Warhol’s only series with classical sculpture as its subject. It deviates greatly from Warhol’s revolutionary style of work, which is celebrated for its originality and how it breaks from tradition. The images of Alexander the Great pay tribute to influences of the masters of classical antiquity, that are not readily apparent in Warhol’s work.

Signature: Signed and numbered in pencil (lower right).

About Andy Warhol

Obsessed with celebrity, consumer culture, and mechanical (re)production, Pop artist Andy Warhol created some of the most iconic images of the 20th century. As famous for his quips as for his art—he variously mused that “art is what you can get away with” and “everyone will be famous for 15 minutes”—Warhol drew widely from popular culture and everyday subject matter, creating works like his 32 Campbell's Soup Cans (1962), Brillo pad box sculptures, and portraits of Marilyn Monroe, using the medium of silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. Known for his cultivation of celebrity, Factory studio (a radical social and creative melting pot), and avant-garde films like Chelsea Girls (1966), Warhol was also a mentor to artists like Keith Haring and Jean-Michel Basquiat. His Pop sensibility is now standard practice, taken up by major contemporary artists Richard Prince, Takashi Murakami, and Jeff Koons, among countless others.

American, 1928-1987, Pittsburgh, Pennsylvania, based in New York, New York