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D
Doyle

Artwork by Artists: Andy Warhol, Robert Whitman, Robert Rauschenberg, Tom Gormley, Red Grooms and Marisol (Marisol Escobar)
ART CASH
Color offset lithograph, aside from the stamped, signed and numbered edition of 75, framed.

Sheet 30.25 x 22.125 inches; 768 x 562 mm.

Condition: Laid on card and partially front-mounted, …

Medium

Obsessed with celebrity, consumer culture, and mechanical (re)production, Pop artist Andy Warhol created some of the most iconic images of the 20th century. As famous for his quips as for his art—he variously mused that “art is what you can get away with” and “everyone will be famous for 15 minutes”—Warhol drew widely from popular culture and everyday subject matter, creating works like his 32 Campbell's Soup Cans (1962), Brillo pad box sculptures, and portraits of Marilyn Monroe, using the medium of silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. Known for his cultivation of celebrity, Factory studio (a radical social and creative melting pot), and avant-garde films like Chelsea Girls (1966), Warhol was also a mentor to artists like Keith Haring and Jean-Michel Basquiat. His Pop sensibility is now standard practice, taken up by major contemporary artists Richard Prince, Takashi Murakami, and Jeff Koons, among countless others.

High auction record
$105.4m, Sotheby's, 2013
Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields, San Francisco Museum of Modern Art (SFMOMA) , Whitney Museum of American Art
Selected exhibitions
2019
Andy Warhol: By Hand, Drawings 1950s-1980sNew York Academy of Art
"Andy Warhol: Revelation"Andy Warhol Museum
2018
Andy Warhol: From A to B and Back AgainWhitney Museum of American Art
View all

Robert Whitman, a pioneer of multimedia installation and performances, has a long history of collaborating with engineers and scientists, using technology to create images that incorporate live action, specially built props, sound, video, and other visual media. Whitman’s interest in making the unfamiliar familiar informs his entire oeuvre, from the 1970 installation Children and Communications (1970), which enabled kids to connect with kids in other neighborhoods via phone and fax, to SUN (2007), a projection of actual satellite imagery of the sun onto an expanse of fabric positioned on a rooftop in New York. Celestial bodies appear frequently in Whitman’s work, altered in size and appearance.

Collected by a major museum
Museum of Modern Art (MoMA)
Exhibitions
2021
Group PresentationPace Gallery
2014
Galerie 1900-2000 at Art Basel in Miami Beach 2014Galerie 1900-2000
View all

Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

High auction record
$88.8m, Christie's, 2019
Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields, San Francisco Museum of Modern Art (SFMOMA)
Selected exhibitions
2018
Rauschenberg: In and About L.A.Los Angeles County Museum of Art
Rauschenberg: The 1/4 MileLos Angeles County Museum of Art
2017
Faurschou Foundation VeniceFaurschou Foundation
View all
Tom Gormley

Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhattan from Battery Park to Grant’s tomb,” Grooms explained. The comic-book inspired interactive installation included iconic landmarks—the subway, Central Park, the Apollo Theater, the Woolworth building—populated by life-sized wooden figures of prostitutes, thieves, gamblers, tourists, shoppers, and families, revealing the city’s grit as well as its glamour. It was lauded for its effect of turning Manhattan—then threatening and oppressive—into a place of wonder. Since then, Grooms has “made a career of affectionate parody,” according one critic, through satirical, pop culture-infused prints and sculptural tableaux in homage to his adopted city.

Blue chip
Represented by internationally recognized galleries.
Collected by a major museum
Museum of Modern Art (MoMA)
Selected exhibitions
2021
Red GroomsMarlborough New York
2019
Marlborough at IFPDA Fine Art Print Fair 2019Marlborough New York
2017
Red Grooms: New York On My MindMarlborough New York
View all

Best known for her elegant, eclectic, and poignant yet edgy figurative sculptures, Marisol (born Maria Sol Escobar) makes art across styles and media. Her output encompasses woodcarving and sculptural assemblages, cast metal pieces, ceramics, and works on paper. Marisol, who is influenced by artists such as Willem de Kooning and Andy Warhol, is often grouped with pop art artists, but her work does not lend itself to neat categorization. Strains of pre-Columbian folk art and religious symbolism infuse her pieces, and her figurative assemblages feature portraits of other artists, political leaders, and movie stars. Marisol also makes recreations of iconic news images and tableaux of families, sometimes her own, crafting sculptural scenes from carved stone, neon, Astroturf, and plywood.

Collected by a major museum
Indianapolis Museum of Art at Newfields
Selected exhibitions
2021
The Mid Century Modern AestheticAlpha 137 Gallery
2016
The Art of American Dance: 1830-1960Crystal Bridges Museum of American Art
2014
MARISOL: Sculptures and Works on PaperEl Museo del Barrio
View all
Tom Gormley

ART CASH

Color offset lithograph
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D
Doyle

Artwork by Artists: Andy Warhol, Robert Whitman, Robert Rauschenberg, Tom Gormley, Red Grooms and …

Medium

Obsessed with celebrity, consumer culture, and mechanical (re)production, Pop artist Andy Warhol created some of the most iconic images of the 20th century. As famous for his quips as for his art—he variously mused that “art is what you can get away with” and “everyone will be famous for 15 minutes”—Warhol drew widely from popular culture and everyday subject matter, creating works like his 32 Campbell's Soup Cans (1962), Brillo pad box sculptures, and portraits of Marilyn Monroe, using the medium of silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. Known for his cultivation of celebrity, Factory studio (a radical social and creative melting pot), and avant-garde films like Chelsea Girls (1966), Warhol was also a mentor to artists like Keith Haring and Jean-Michel Basquiat. His Pop sensibility is now standard practice, taken up by major contemporary artists Richard Prince, Takashi Murakami, and Jeff Koons, among countless others.

High auction record
$105.4m, Sotheby's, 2013
Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields, San Francisco Museum of Modern Art (SFMOMA) , Whitney Museum of American Art
Selected exhibitions (3)

Robert Whitman, a pioneer of multimedia installation and performances, has a long history of collaborating with engineers and scientists, using technology to create images that incorporate live action, specially built props, sound, video, and other visual media. Whitman’s interest in making the unfamiliar familiar informs his entire oeuvre, from the 1970 installation Children and Communications (1970), which enabled kids to connect with kids in other neighborhoods via phone and fax, to SUN (2007), a projection of actual satellite imagery of the sun onto an expanse of fabric positioned on a rooftop in New York. Celestial bodies appear frequently in Whitman’s work, altered in size and appearance.

Collected by a major museum
Museum of Modern Art (MoMA)
Exhibitions (2)

Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

High auction record
$88.8m, Christie's, 2019
Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields, San Francisco Museum of Modern Art (SFMOMA)
Selected exhibitions (3)
Tom Gormley

Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhattan from Battery Park to Grant’s tomb,” Grooms explained. The comic-book inspired interactive installation included iconic landmarks—the subway, Central Park, the Apollo Theater, the Woolworth building—populated by life-sized wooden figures of prostitutes, thieves, gamblers, tourists, shoppers, and families, revealing the city’s grit as well as its glamour. It was lauded for its effect of turning Manhattan—then threatening and oppressive—into a place of wonder. Since then, Grooms has “made a career of affectionate parody,” according one critic, through satirical, pop culture-infused prints and sculptural tableaux in homage to his adopted city.

Blue chip
Represented by internationally recognized galleries.
Collected by a major museum
Museum of Modern Art (MoMA)
Selected exhibitions (3)

Best known for her elegant, eclectic, and poignant yet edgy figurative sculptures, Marisol (born Maria Sol Escobar) makes art across styles and media. Her output encompasses woodcarving and sculptural assemblages, cast metal pieces, ceramics, and works on paper. Marisol, who is influenced by artists such as Willem de Kooning and Andy Warhol, is often grouped with pop art artists, but her work does not lend itself to neat categorization. Strains of pre-Columbian folk art and religious symbolism infuse her pieces, and her figurative assemblages feature portraits of other artists, political leaders, and movie stars. Marisol also makes recreations of iconic news images and tableaux of families, sometimes her own, crafting sculptural scenes from carved stone, neon, Astroturf, and plywood.

Collected by a major museum
Indianapolis Museum of Art at Newfields
Selected exhibitions (3)
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