Andy Warhol, ‘Campbells Soup II: Scotch Broth (FS II.55)’, 1969, Revolver Gallery
Andy Warhol, ‘Campbells Soup II: Scotch Broth (FS II.55)’, 1969, Revolver Gallery
Andy Warhol, ‘Campbells Soup II: Scotch Broth (FS II.55)’, 1969, Revolver Gallery


Warhol’s Campbell’s Soup II: Scotch Broth 55 is one of ten prints from his Campbell’s Soup IIportfolio, which follows his first portfolio of Campbell’s Soup can imagery. In this collection, Warhol takes the ever-present American pantry staple and transforms it into high art simply by exactly mimicking the cans’ label. The second portfolio contains ten of the more unusual flavors from the original 32 that Warhol created in 1962, which were all real flavors of Campbell’s Soup cans. These ten prints are slightly more unique than those in the first print portfolio because of the more unusual flavors and added graphics on their labels, which make them visually stand out.


Warhol’s collection of prints representing Campbell’s Soup cans is arguably his most iconic and widely recognized series of artwork. The Campbell’s Soup portfolios represent many themes that Warhol continues to work with throughout his career, including the powerful role that mass consumption plays on postwar society. The semi-mechanized process he used to create his works is something that is characterized with Warhol. His Campbell’s Soup series helped to usher in the Pop Art movement that endures today, renewed and rediscovered by artists such as Damien Hirst and Jeff Koons.

Signature: Signed and numbered in ball-point pen and numbered with a rubber stamp on verso.

About Andy Warhol

Obsessed with celebrity, consumer culture, and mechanical (re)production, Pop artist Andy Warhol created some of the most iconic images of the 20th century. As famous for his quips as for his art—he variously mused that “art is what you can get away with” and “everyone will be famous for 15 minutes”—Warhol drew widely from popular culture and everyday subject matter, creating works like his 32 Campbell's Soup Cans (1962), Brillo pad box sculptures, and portraits of Marilyn Monroe, using the medium of silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. Known for his cultivation of celebrity, Factory studio (a radical social and creative melting pot), and avant-garde films like Chelsea Girls (1966), Warhol was also a mentor to artists like Keith Haring and Jean-Michel Basquiat. His Pop sensibility is now standard practice, taken up by major contemporary artists Richard Prince, Takashi Murakami, and Jeff Koons, among countless others.

American, 1928-1987, Pittsburgh, PA, United States, based in New York, NY, United States