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1949 College Yearbook & Graduation Commencement Program/Invite, Carnegie Institute of Technology Carnegie Pittsburgh.
1.) Senior College Yearbook, 1949,
Andy's pictured once in the Modern Dance Club. No Individual Photo.
Andys Fellow Artist and Friend Philip Pearlstein is pictured individually with the Senior Class.
2.) Graduation Commencement Program/Invitation, 1949, Carnegie Institute of Technology Carnegie Pittsburgh.
After graduating from Schenley High School, he studied painting and design at the Carnegie Institute of Technology. Warhol originally intended to study art education at the University of Pittsburgh in order to become an art teacher, but he changed his mind and applied to the Carnegie Institute to study pictorial design with the intention of becoming a commercial illustrator.
Warhol graduated from the Carnegie Institute of Technology in Pittsburgh with a Bachelor of Fine Arts in pictorial design and moved to New York a week after graduating in June 1949. PHILIP PEARLSTEIN, a friend from college accompanied Warhol to Manhattan. Pearlstein would later go on to become an important realist painter. They had previously visited Manhattan with another student from Carnegie Tech.
While at college Warhol had worked in the display department at the Joseph Horne department store. He had also frequented a local gallery called Outlines where he had been exposed to the work of Joseph Cornell, Marcel Duchamp, John Cage and Buckminster Fuller. He had also taught art classes at the Irene Kaufmann Settlement while still in college.
In Manhattan Warhol and Pearlstein subleased an eighth-floor walkup tenement apartment on St. Mark's Place (and Avenue A) for the summer. According to Pearlstein, "The bathtub was in the kitchen and it was usually full of roaches, incredible roaches."
When they moved a few months later to the large front room of dancer FRANCESCA BOAS's loft on West 21st Street, Andy sent out address change cards in small envelopes filled with glitter announcing, "I've moved from one roach-ridden apartment to another." (BC21)
One of Andy Warhol's first free-lance jobs was at Glamour magazine. He went on to become an extremely successful commercial artist, working for most of the major fashion magazines throughout the fifties, doing album covers for Columbia records, designing Christmas cards, book jackets and retail ad campaigns, including the famous shoe ads for I. Miller in the mid-fifties.
"At the height of his career as a commercial artist, Warhol was earning one hundred thousand dollars a year, a staggering sum for the fifties... on the I. Miller account alone he made fifty thousand dollars one year...Eventually he had to hire assistants to help him keep up with his assignments. He even enlisted the services of his mother, who followed him from Pittsburgh to New York soon after he started making enough money to support them both."
Excellent- slight age toning.
Signature: Not Signed
Publisher: Carnegie Institute of Technology, Pittsburgh
Private Collection, Japan
Obsessed with celebrity, consumer culture, and mechanical (re)production, Pop artist Andy Warhol created some of the most iconic images of the 20th century. As famous for his quips as for his art—he variously mused that “art is what you can get away with” and “everyone will be famous for 15 minutes”—Warhol drew widely from popular culture and everyday subject matter, creating works like his 32 Campbell's Soup Cans (1962), Brillo pad box sculptures, and portraits of Marilyn Monroe, using the medium of silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. Known for his cultivation of celebrity, Factory studio (a radical social and creative melting pot), and avant-garde films like Chelsea Girls (1966), Warhol was also a mentor to artists like Keith Haring and Jean-Michel Basquiat. His Pop sensibility is now standard practice, taken up by major contemporary artists Richard Prince, Takashi Murakami, and Jeff Koons, among countless others.
American, 1928-1987, Pittsburgh, PA, United States, based in New York, NY, United States
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Known for his paintings of nudes with almost clinical objectivity, Philip Pearlstein has been scrutinizing the body since the early 1960s, painting it as it is and avoiding idealization. Attuned to art history, Pearlstein is as interested in pattern and composition as he is in the body itself. He creates still life-like, visually complex arrangements by entangling his models with pieces of furniture, colorful rugs and blankets, and an assortment of objects, like a decoy swan or a whirligig. His model of 18 years, Desiree Avarez wrote: “He is fascinated with the beauty of form, and by beauty I mean power. This is a man studying structure and the math of its glamour as deeply as the ancient philosophers. As if understanding the essence of the endoskeleton might uncover the sublime.”
American, b. 1924, Pittsburgh, Pennsylvania, based in New York, New York
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