Andy Warhol, ‘Mammy (FS II.262)’, 1981, Revolver Gallery

Mammy 261 is based on a character that is not known in one particular context, but instead, seen in various forms of pop culture, present in movies like Gone With the Wind (1939) and comic strips and cartoons like Tom and Jerry (1940). The earliest characterization of the Mammy figure was in Harriet Beecher Stowe’s anti-slavery novel Uncle Tom’s Cabin (1852). Over the years, Mammy has become a largely mythologized character that is mostly seen as a positive maternal figure, as the way Warhol has portrayed her. He chose to include her in his Myths portfolio as a character who makes up an intricate and developed narrative of American Pop culture.Mammy 262 is a part of ten screenprints in the Myths series that exemplify Warhol’s unerring sense for the powerful motifs of his time. The characters featured in Warhol’s Myths series are taken from 1950s television or old Hollywood films. They portray the universal view of America’s once captivating and commanding past. Other pieces included in the series are characters loved by children such as Mickey Mouse, Howdy Doody, and Santa Claus, as well as fictional figures like Dracula, The Wicked Witch of the West, and Uncle Sam.

Series: Mammy 262 is a part of ten screenprints in the Myths series that exemplify Warhol’s unerring sense for the powerful motifs of his time. The characters featured in Warhol’s Myths series are taken from 1950s television or old Hollywood films. They portray the universal view of America’s once captivating and commanding past. Other pieces included in the series are characters loved by children such as Mickey Mouse, Howdy Doody, and Santa Claus, as well as fictional figures like Dracula, The Wicked Witch of the West, and Uncle Sam.

About Andy Warhol

Obsessed with celebrity, consumer culture, and mechanical (re)production, Pop artist Andy Warhol created some of the most iconic images of the 20th century. As famous for his quips as for his art—he variously mused that “art is what you can get away with” and “everyone will be famous for 15 minutes”—Warhol drew widely from popular culture and everyday subject matter, creating works like his 32 Campbell's Soup Cans (1962), Brillo pad box sculptures, and portraits of Marilyn Monroe, using the medium of silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. Known for his cultivation of celebrity, Factory studio (a radical social and creative melting pot), and avant-garde films like Chelsea Girls (1966), Warhol was also a mentor to artists like Keith Haring and Jean-Michel Basquiat. His Pop sensibility is now standard practice, taken up by major contemporary artists Richard Prince, Takashi Murakami, and Jeff Koons, among countless others.

American, 1928-1987, Pittsburgh, Pennsylvania, based in New York, New York