Andy Warhol, ‘Paris Review, F.S. II.18’, 1967, Print, Screenprint with die-cut holes on cream paper, JF Fine Arts & Verosa
Save
Save
View
View in room
Share
Share

Andy Warhol

Paris Review, F.S. II.18, 1967

Screenprint with die-cut holes on cream paper
37 × 27 1/8 in
94 × 68.9 cm
Edition of 150
.
Sold
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Want to sell a work by this artist? Consign with Artsy.
About the work
Bibliography
JF Fine Arts & Verosa
Milan

Andy Warhol was very intrigued by Dadaism and its artists like Duchamp and Man Ray.
"What can …

Medium
Condition
Very good conditions, with no signs of tears, rips or discoloration
Signature
Stamp signed and numbered in pencil, as issued.
Certificate of authenticity
Included
Frame
Included
Publisher
Paris Review, New York
Andy Warhol
American, 1928–1987
Follow

Obsessed with celebrity, consumer culture, and mechanical (re)production, Pop artist Andy Warhol created some of the most iconic images of the 20th century. As famous for his quips as for his art—he variously mused that “art is what you can get away with” and “everyone will be famous for 15 minutes”—Warhol drew widely from popular culture and everyday subject matter, creating works like his 32 Campbell's Soup Cans (1962), Brillo pad box sculptures, and portraits of Marilyn Monroe, using the medium of silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. Known for his cultivation of celebrity, Factory studio (a radical social and creative melting pot), and avant-garde films like Chelsea Girls (1966), Warhol was also a mentor to artists like Keith Haring and Jean-Michel Basquiat. His Pop sensibility is now standard practice, taken up by major contemporary artists Richard Prince, Takashi Murakami, and Jeff Koons, among countless others.

Navigate left
Andy Warhol, ‘Paris Review, F.S. II.18’, 1967, Print, Screenprint with die-cut holes on cream paper, JF Fine Arts & Verosa
Navigate right
Save
Save
View
View in room
Share
Share
About the work
Bibliography
JF Fine Arts & Verosa
Milan

Andy Warhol was very intrigued by Dadaism and its artists like Duchamp and Man Ray.
"What can be considered and what can qualify as ART"?
These were the questions investigated by the Dada movement.
Is it a simple, everyday object ART?
A Brillo Box, a bottle of Coke, a tin of Campbell's Soup or (like in this …

Medium
Condition
Very good conditions, with no signs of tears, rips or discoloration
Signature
Stamp signed and numbered in pencil, as issued.
Certificate of authenticity
Included
Frame
Included
Publisher
Paris Review, New York
Andy Warhol
American, 1928–1987
Follow

Obsessed with celebrity, consumer culture, and mechanical (re)production, Pop artist Andy Warhol created some of the most iconic images of the 20th century. As famous for his quips as for his art—he variously mused that “art is what you can get away with” and “everyone will be famous for 15 minutes”—Warhol drew widely from popular culture and everyday subject matter, creating works like his 32 Campbell's Soup Cans (1962), Brillo pad box sculptures, and portraits of Marilyn Monroe, using the medium of silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. Known for his cultivation of celebrity, Factory studio (a radical social and creative melting pot), and avant-garde films like Chelsea Girls (1966), Warhol was also a mentor to artists like Keith Haring and Jean-Michel Basquiat. His Pop sensibility is now standard practice, taken up by major contemporary artists Richard Prince, Takashi Murakami, and Jeff Koons, among countless others.

Andy Warhol

Paris Review, F.S. II.18, 1967

Screenprint with die-cut holes on cream paper
37 × 27 1/8 in
94 × 68.9 cm
Edition of 150
.
Sold
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
Other works by Andy Warhol
Other works from JF Fine Arts & Verosa