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Angus Fairhurst, ‘When I woke up in the morning the feeling was still there (yellow)’, 1992, Paul Stolper Gallery
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Angus Fairhurst

When I woke up in the morning the feeling was still there (yellow), 1992

Screenprint
34 2/5 × 26 in
87.5 × 66 cm
Edition of 45 + 20AP
This is part of a limited edition set.
£2,970
Location
London
Have a question? Visit our help center.
About the work
Articles
Angus Fairhurst
English, 1966–2008
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Angus Fairhurst was a quiet member of the Young British Artists (YBA), the late 1980s movement typically associated with the flash and notoriety of artists Damien Hirst and Tracey Emin. Fairhurst, a classmate, close friend, and influencer of Hirst, was instrumental in organizing the “Freeze” exhibition of 1988, which launched the YBAs and shaped the ensuing decades in British contemporary art. Fairhurst’s conceptual work—which includes sculpture, painting, performance, photography, video, music, printmaking, drawing, and collage—is marked by an anti-establishment sense of humor. In a 1991 commentary on the self-referential qualities of the art world, Fairhurst staged a performance titled Gallery Connections; he connected the phones of London’s premiere contemporary art dealers so that they could only talk to each other. Fairhurst is best known for the recurring motif of gorillas in his work across media.

Angus Fairhurst, ‘When I woke up in the morning the feeling was still there (yellow)’, 1992, Paul Stolper Gallery
Navigate left
Angus Fairhurst, ‘When I woke up in the morning the feeling was still there (yellow)’, 1992, Paul Stolper Gallery
Navigate right
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
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About the work
Articles
Angus Fairhurst
English, 1966–2008
Follow

Angus Fairhurst was a quiet member of the Young British Artists (YBA), the late 1980s movement typically associated with the flash and notoriety of artists Damien Hirst and Tracey Emin. Fairhurst, a classmate, close friend, and influencer of Hirst, was instrumental in organizing the “Freeze” exhibition of 1988, which launched the YBAs and shaped the ensuing decades in British contemporary art. Fairhurst’s conceptual work—which includes sculpture, painting, performance, photography, video, music, printmaking, drawing, and collage—is marked by an anti-establishment sense of humor. In a 1991 commentary on the self-referential qualities of the art world, Fairhurst staged a performance titled Gallery Connections; he connected the phones of London’s premiere contemporary art dealers so that they could only talk to each other. Fairhurst is best known for the recurring motif of gorillas in his work across media.

Angus Fairhurst

When I woke up in the morning the feeling was still there (yellow), 1992

Screenprint
34 2/5 × 26 in
87.5 × 66 cm
Edition of 45 + 20AP
This is part of a limited edition set.
£2,970
Location
London
Have a question? Visit our help center.
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