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Red Disc, 1995-2010

Engraved and anodized aluminum
21 13/20 × 21 13/20 × 59/100 in
55 × 55 × 1.5 cm
Edition of 3
This is part of a limited edition set.
location
Los Angeles
About the work
Articles
Ann Veronica Janssens
British, b. 1956
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Adopting the visual languages of science and Minimalism, Ann Veronica Janssens’s work suggests that all perception is fragile at best. Creating installations, projections, immersive environments, urban interventions, and sculptures, Janssens explores the sensory experience of reality. Space, distribution of light, radiant color, and translucent or reflective surfaces all serve to reveal the instability of our perception of time and space. She explores properties of matter (gloss, lightness, transparency, fluidity) and physical phenomena (reflection, refraction, perspective, balance, waves) in order to destabilize ideas about materiality.

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Articles
Ann Veronica Janssens
British, b. 1956
Follow

Adopting the visual languages of science and Minimalism, Ann Veronica Janssens’s work suggests that all perception is fragile at best. Creating installations, projections, immersive environments, urban interventions, and sculptures, Janssens explores the sensory experience of reality. Space, distribution of light, radiant color, and translucent or reflective surfaces all serve to reveal the instability of our perception of time and space. She explores properties of matter (gloss, lightness, transparency, fluidity) and physical phenomena (reflection, refraction, perspective, balance, waves) in order to destabilize ideas about materiality.

Red Disc, 1995-2010

Engraved and anodized aluminum
21 13/20 × 21 13/20 × 59/100 in
55 × 55 × 1.5 cm
Edition of 3
This is part of a limited edition set.
location
Los Angeles
Other works by Ann Veronica Janssens
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