Annette Kelm, ‘Home Home Home / Daylight’, 2015, Andrew Kreps
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Annette Kelm

Home Home Home / Daylight, 2015

C-print
25 1/3 × 35 in
64.3 × 88.9 cm
Location
New York
About the work
AK
Andrew Kreps
New York
Medium
Photography
Annette Kelm
German, b. 1975
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Annette Kelm’s conceptually inclined photographs draw on the visual language of advertising. Made within the historically strict framework of still life, landscape, and portrait photography, her staged color photographs acknowledge “photography’s collusion with consumerism, capitalism, and history,” writes the New York Times. Like the work of artists Christopher Williams and Roe Ethridge, who are also influenced by the Düsseldorf School, her clearly composed images isolate functional objects from their surroundings, breaking them down into formal components of shape and color.

Annette Kelm, ‘Home Home Home / Daylight’, 2015, Andrew Kreps
Save
Save
View
View in room
Share
Share
About the work
AK
Andrew Kreps
New York
Medium
Photography
Annette Kelm
German, b. 1975
Follow

Annette Kelm’s conceptually inclined photographs draw on the visual language of advertising. Made within the historically strict framework of still life, landscape, and portrait photography, her staged color photographs acknowledge “photography’s collusion with consumerism, capitalism, and history,” writes the New York Times. Like the work of artists Christopher Williams and Roe Ethridge, who are also influenced by the Düsseldorf School, her clearly composed images isolate functional objects from their surroundings, breaking them down into formal components of shape and color.

Annette Kelm

Home Home Home / Daylight, 2015

C-print
25 1/3 × 35 in
64.3 × 88.9 cm
Location
New York
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