Annie Kevans, ‘Four works: (i) Louise Brooks; (ii) Barbara La Marr; (iii) Bush; (iv) Ghandi’, (i, ii) 2007; (iii, iv) 2006, Phillips

Property Subject to the Artist's Resale Right (see Conditions of Sale for further information)

Each 50.7 x 40.5 cm (19 7/8 x 15 7/8 in.)

(i) London, Studio 1.1, Annie Kevans GIRLS, 7 April - 7 May 2006
(i-ii) Munich, Galerie Karin Sachs, Annie Kevans, Tessa Farmer, Oliver Bancroft, William Waterhouse, 15 September - 17 October 2007
(iii-iv) Reggio Emilia, Galleria Antonio Ferrara, Absolute Democracy, 2006

(i) Ingrid Betancourt, The Blue Line: A Novel, London, 2017 (illustrated on the cover)

Galerie Karin Sachs, Munich
Acquired from the above by the present owner

About Annie Kevans

Annie Kevans approaches portraiture not as the practice of creating likenesses but as a means of conveying alternate versions of history and ensuring that certain figures are remembered in the future. Kevans achieved early acclaim with her first series of diffuse and softly colored portraits that imagined dictators such as Hitler and Pol Pot as small children. Her recent work has included the portraits of women relegated to the margins of art history, including both artists from the Renaissance and those who are still living, such as Rosalyn Drexler and Alma Thomas. Her practice is research intensive; she studies the artists’ biographies and examines numerous images of them in an attempt to gain a sense of their personality before beginning their portraits.

English, b. 1972, Cannes, France

Group Shows

2016
Chichester, West Sussex,
2015
Rook & Raven, 
London,
She Came To Stay