Medium

Existing as both material and encounter, Annika von Hausswolff’s photographs reflect on a range of subjects: the metaphysical reality of lone objects; the leftovers of vacant spaces, such as a derelict swimming pool or an abandoned office block, pieced together in photo grids or montages; and typologies of architecture and structure. Where bodies are involved, her images are staged and performative; her early series “Back to Nature” (1993) was inspired by crime scene photography. Such work poses questions regarding power and body image in ways that confront viewers’ preconceptions.

Established
Represented by industry leading galleries.
Collected by a major museum
Statens Museum for Kunst
Selected exhibitions
2020
Annika von Hausswolff at Andréhn-Schiptjenko ParisAndréhn-Schiptjenko
2019
There I Belong. Hammershøi by Elmgreen & DragsetStatens Museum for Kunst
2015
Annika von HausswolffAndréhn-Schiptjenko
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An Oral Story of Economic Structures, 2012

Epson print on Fine Art Paper
36 1/4 × 54 in
92.1 × 137.2 cm
Edition of 4 + 1AP
.
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Location
Stockholm, Paris
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Medium

Existing as both material and encounter, Annika von Hausswolff’s photographs reflect on a range of subjects: the metaphysical reality of lone objects; the leftovers of vacant spaces, such as a derelict swimming pool or an abandoned office block, pieced together in photo grids or montages; and typologies of architecture and structure. Where bodies are involved, her images are staged and performative; her early series “Back to Nature” (1993) was inspired by crime scene photography. Such work poses questions regarding power and body image in ways that confront viewers’ preconceptions.

Established
Represented by industry leading galleries.
Collected by a major museum
Statens Museum for Kunst
Selected exhibitions (3)
Other works by Annika von Hausswolff
Other works from Andréhn-Schiptjenko
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