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Aspects of Time or the Perfect Motive, 2015

Vitreous Enamel
11 4/5 × 15 7/10 in
30 × 40 cm
Sold
location
Stockholm, Paris
Annika von Hausswolff
Swedish, b. 1967
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Existing as both material and encounter, Annika von Hausswolff’s photographs reflect on a range of …

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Existing as both material and encounter, Annika von Hausswolff’s photographs reflect on a range of subjects: the metaphysical reality of lone objects; the leftovers of vacant spaces, such as a derelict swimming pool or an abandoned office block, pieced together in photo grids or montages; and typologies of …

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View in room
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Annika von Hausswolff
Swedish, b. 1967
Follow

Existing as both material and encounter, Annika von Hausswolff’s photographs reflect on a range of …

Read more

Existing as both material and encounter, Annika von Hausswolff’s photographs reflect on a range of subjects: the metaphysical reality of lone objects; the leftovers of vacant spaces, such as a derelict swimming pool or an abandoned office block, pieced together in photo grids or montages; and typologies of …

Read more

Aspects of Time or the Perfect Motive, 2015

Vitreous Enamel
11 4/5 × 15 7/10 in
30 × 40 cm
Sold
location
Stockholm, Paris
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