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Annika von Hausswolff, ‘Skeleton Object’, 2003, Andréhn-Schiptjenko
Annika von Hausswolff, ‘Skeleton Object’, 2003, Andréhn-Schiptjenko
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Skeleton Object, 2003

C-print
47 1/5 × 59 1/10 in
120 × 150 cm
Edition of 4
This is part of a limited edition set.
Contact For Price
Location
Stockholm, Paris
Have a question? Visit our help center.
About the work
Annika von Hausswolff
Swedish, b. 1967
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Existing as both material and encounter, Annika von Hausswolff’s photographs reflect on a range of subjects: the metaphysical reality of lone objects; the leftovers of vacant spaces, such as a derelict swimming pool or an abandoned office block, pieced together in photo grids or montages; and typologies of architecture and structure. Where bodies are involved, her images are staged and performative; her early series “Back to Nature” (1993) was inspired by crime scene photography. Such work poses questions regarding power and body image in ways that confront viewers’ preconceptions.

Annika von Hausswolff, ‘Skeleton Object’, 2003, Andréhn-Schiptjenko
Annika von Hausswolff, ‘Skeleton Object’, 2003, Andréhn-Schiptjenko
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
Annika von Hausswolff
Swedish, b. 1967
Follow

Existing as both material and encounter, Annika von Hausswolff’s photographs reflect on a range of subjects: the metaphysical reality of lone objects; the leftovers of vacant spaces, such as a derelict swimming pool or an abandoned office block, pieced together in photo grids or montages; and typologies of architecture and structure. Where bodies are involved, her images are staged and performative; her early series “Back to Nature” (1993) was inspired by crime scene photography. Such work poses questions regarding power and body image in ways that confront viewers’ preconceptions.

Skeleton Object, 2003

C-print
47 1/5 × 59 1/10 in
120 × 150 cm
Edition of 4
This is part of a limited edition set.
Contact For Price
Location
Stockholm, Paris
Have a question? Visit our help center.
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