Annika von Hausswolff, ‘Untitled (For Sale By Owner)’, 2011, Photography, 15 Silver gelatin prints behind plexi, Andréhn-Schiptjenko
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Untitled (For Sale By Owner), 2011

15 Silver gelatin prints behind plexi
13 4/5 × 21 7/10 in
35 × 55 cm
Edition of 3 + 1AP
.
Contact For Price
Location
Stockholm, Paris
Have a question? Visit our help center.
Annika von Hausswolff
Swedish, b. 1967
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Existing as both material and encounter, Annika von Hausswolff’s photographs reflect on a range of subjects: the metaphysical reality of lone objects; the leftovers of vacant spaces, such as a derelict swimming pool or an abandoned office block, pieced together in photo grids or montages; and typologies of architecture and structure. Where bodies are involved, her images are staged and performative; her early series “Back to Nature” (1993) was inspired by crime scene photography. Such work poses questions regarding power and body image in ways that confront viewers’ preconceptions.

Annika von Hausswolff, ‘Untitled (For Sale By Owner)’, 2011, Photography, 15 Silver gelatin prints behind plexi, Andréhn-Schiptjenko
Save
Save
View
View in room
Share
Share
Annika von Hausswolff
Swedish, b. 1967
Follow

Existing as both material and encounter, Annika von Hausswolff’s photographs reflect on a range of subjects: the metaphysical reality of lone objects; the leftovers of vacant spaces, such as a derelict swimming pool or an abandoned office block, pieced together in photo grids or montages; and typologies of architecture and structure. Where bodies are involved, her images are staged and performative; her early series “Back to Nature” (1993) was inspired by crime scene photography. Such work poses questions regarding power and body image in ways that confront viewers’ preconceptions.

Untitled (For Sale By Owner), 2011

15 Silver gelatin prints behind plexi
13 4/5 × 21 7/10 in
35 × 55 cm
Edition of 3 + 1AP
.
Contact For Price
Location
Stockholm, Paris
Have a question? Visit our help center.
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Other works from Andréhn-Schiptjenko
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