Anselm Kiefer, ‘Brünhildes Fels (Brünhildes Rock)’, Christie's

Anselm Kiefer (b. 1945)

Brünhildes Fels (Brünhildes Rock)

titled 'Brünhildes Fels' (upper edge)

gouache, pastel and graphite on paper

8 3/4 x 11 5/8 in. (22.2 x 29.5 cm.)

Executed in 1978.

Signature: titled 'Brünhildes Fels' (upper edge)

New York, Craig F. Starr Associates, Drawings from the Sonnabend Collection, January-April 2011.

The Estate of Ileana Sonnabend, acquired directly from the artist

By descent from the above to the present owner

About Anselm Kiefer

Anselm Kiefer critically engages with myth and memory, referencing totems of German culture and collective history. “Germans want to forget [the past] and start a new thing all the time, but only by going into the past can you go into the future,” he says. Revealing the influence of his tutelage under Joseph Beuys, Kiefer's epic-scaled, dense sculptures and paintings are often exposed to elements like acid and fire, and incorporate materials such as lead, burned books, concrete, thorny branches, ashes, and clothing; famed critic and historian Simon Schama has described his work as “heavy-load maximalism.” Kiefer’s vast-ranging references have included the Black Forest, Richard Wagner’s Ring Cycle, and Caspar David Friedrich’s Romantic landscapes, as well as Kabbalah mysticism, Cold War politics, National Socialist architecture, and Paul Celan’s seminal body of post-Holocaust poetry. “Art is difficult,” he says. “It’s not entertainment.”

German, b. 1945, Donauschingen, Germany, based in France