Anselm Kiefer, ‘Die Orden der Nacht’, 1996, Painting, Acrylic, emulsion, and shellac on canvas, Centre Pompidou
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Anselm Kiefer

Die Orden der Nacht, 1996

Acrylic, emulsion, and shellac on canvas
140 1/5 × 182 3/10 in
356 × 463 cm
Location
Paris
Want to sell a work by this artist? Consign with Artsy.
Centre Pompidou
Paris

Collection: Seattle Art Museum

Medium
Image rights
Photo © Atelier Anselm Kiefer
Anselm Kiefer
German, b. 1945
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Anselm Kiefer critically engages with myth and memory, referencing totems of German culture and collective history. “Germans want to forget [the past] and start a new thing all the time, but only by going into the past can you go into the future,” he says. Revealing the influence of his tutelage under Joseph Beuys, Kiefer's epic-scaled, dense sculptures and paintings are often exposed to elements like acid and fire, and incorporate materials such as lead, burned books, concrete, thorny branches, ashes, and clothing; famed critic and historian Simon Schama has described his work as “heavy-load maximalism.” Kiefer’s vast-ranging references have included the Black Forest, Richard Wagner’s Ring Cycle, and Caspar David Friedrich’s Romantic landscapes, as well as Kabbalah mysticism, Cold War politics, National Socialist architecture, and Paul Celan’s seminal body of post-Holocaust poetry. “Art is difficult,” he says. “It’s not entertainment.”

Anselm Kiefer, ‘Die Orden der Nacht’, 1996, Painting, Acrylic, emulsion, and shellac on canvas, Centre Pompidou
Save
Save
View
View in room
Share
Share
Centre Pompidou
Paris

Collection: Seattle Art Museum

Medium
Image rights
Photo © Atelier Anselm Kiefer
Anselm Kiefer
German, b. 1945
Follow

Anselm Kiefer critically engages with myth and memory, referencing totems of German culture and collective history. “Germans want to forget [the past] and start a new thing all the time, but only by going into the past can you go into the future,” he says. Revealing the influence of his tutelage under Joseph Beuys, Kiefer's epic-scaled, dense sculptures and paintings are often exposed to elements like acid and fire, and incorporate materials such as lead, burned books, concrete, thorny branches, ashes, and clothing; famed critic and historian Simon Schama has described his work as “heavy-load maximalism.” Kiefer’s vast-ranging references have included the Black Forest, Richard Wagner’s Ring Cycle, and Caspar David Friedrich’s Romantic landscapes, as well as Kabbalah mysticism, Cold War politics, National Socialist architecture, and Paul Celan’s seminal body of post-Holocaust poetry. “Art is difficult,” he says. “It’s not entertainment.”

Anselm Kiefer

Die Orden der Nacht, 1996

Acrylic, emulsion, and shellac on canvas
140 1/5 × 182 3/10 in
356 × 463 cm
Location
Paris
Want to sell a work by this artist? Consign with Artsy.
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