Anton Henning, ‘La rencontre, No 3’, 2002, Painting, Oil on canvas, Phillips
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Anton Henning

La rencontre, No 3, 2002

Oil on canvas
68 1/10 × 73 1/2 in
173 × 186.6 cm
Bidding closed
P
Phillips

Property Subject to Artist's Resale Right (see Conditions of Sale for further information)

Medium
Signature
Signed with the artist's initials and dated 'AH02' lower right; further signed with the artist's initials, numbered, titled and dated …
Anton Henning
German, b. 1964
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Reworking traditional modes of representation, such as the still life and the nude, with an iconoclastic temperament, Anton Henning confronts the viewer with works that blur the line between high and low culture, and between classicism and Pop. Henning works in a wide array of mediums, though he is perhaps best known for his paintings in which the looping lines and overlapping fragments of planes appear to break away from the two-dimensional space of the canvas.

Anton Henning, ‘La rencontre, No 3’, 2002, Painting, Oil on canvas, Phillips
Save
Save
View
View in room
Share
Share
P
Phillips

Property Subject to Artist's Resale Right (see Conditions of Sale for further information)

Medium
Signature
Signed with the artist's initials and dated 'AH02' lower right; further signed with the artist's initials, numbered, titled and dated …
Anton Henning
German, b. 1964
Follow

Reworking traditional modes of representation, such as the still life and the nude, with an iconoclastic temperament, Anton Henning confronts the viewer with works that blur the line between high and low culture, and between classicism and Pop. Henning works in a wide array of mediums, though he is perhaps best known for his paintings in which the looping lines and overlapping fragments of planes appear to break away from the two-dimensional space of the canvas.

Anton Henning

La rencontre, No 3, 2002

Oil on canvas
68 1/10 × 73 1/2 in
173 × 186.6 cm
Bidding closed
Other works by Anton Henning