Antonio Berni, ‘Sin Título. Variaciones del tríptico "El jardín de las delicias, ca. 1503-1515, de El Bosco"’, 1977, Cosmocosa

Signature: On Front: A. Berni 77

  1. Arteba. Edición 25, Cabinet Antoni Berni, stand Cosmocosa. Mayo 18-22 2016. Buenos Aires.
    2016/2017, Museo de Arte Moderno de Buenos Aires, "Antonio Berni, revelaciones sobre papel, 1927-1981". Curada por Marcelo E. Pacheco.

PACHECO, Marcelo E. “Antonio Berni, Revelaciones sobre papel, 1922-1981”, Museo de Arte Moderno de Buenos Aires, 2016/17 Argentina.

Argentina. Private Collection.

About Antonio Berni

Antonio Berni, who apprenticed with a stained-glass manufacturer as a child, began his artistic career as a Surrealist, producing paintings and collages. In the 1930s, Berni’s practice shifted towards critical and social realism; around then he banded with other young artists to espouse the New Realism movement, dedicated to highlighting class struggle and social injustice in Argentina. He worked typically in large scale and, perhaps in part due to a meeting with David Alfaro Siqueiros, made a number of murals as well. In 1959, he returned to making collages, using detritus and found objects. Berni was also known for making xylographs (or woodcuts) in high relief, incorporating collage elements—he called these xylo-collage-reliefs. In his late career, Berni’s style became increasingly photorealistic.

Argentinian, 1905-1981, based in Argentina

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Antonio Berni - Revelations on paper 1922-1981

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