A.R. Penck, ‘Horse Racing’, 1983, Phillips
A.R. Penck, ‘Horse Racing’, 1983, Phillips

Property Subject to VAT Section 4, 5%; Property Subject to Artist's Resale Right (see Conditions of Sale for further information)

Signature: signed and dated 'a.r penck '83' lower right

Munich, A11 Art Forum; Darmstadt, Mathildenhöhe; Ljubljana, Moderne Galerie; Neue Galerie der Stadt Linz, Kunst der 80er Jahre, Sammlung Thomas. Kunst aus den achtiziger Jahre, May 1987 - June 1988, p. 17 (illustrated)

Galerie Michael Werner, Cologne
Studio Cannaviello, Milan
Galerie Thomas, Munich
Christie's, London, 29 June 1999, lot 62
Private Collection
Christie's, London, 24 June 2005, lot 189
Private Collection

About A.R. Penck

Considered a Neo-Expressionist along with artists such as Sigmar Polke and Anselm Kiefer, A.R. Penck is best known for his paintings and sculptures characterized by simplified figures and forms, and neo-primitive symbols and patterns. Born Ralf Winkler, the artist adopted his pseudonym after reading the work of the geologist Albrecht Penck. A.R. Penck lived in East Berlin from 1963 to ’72; unable to exhibit there publicly, he smuggled works out to West Berlin and Switzerland, where he enjoyed enough fame to provide him some protection from the German police. Penck’s style fused spontaneous self-expression with restraint, and pop cultural and art historical influences with political and social concerns. As a sculptor, he was constructing objects as early as the ’60s made from cardboard boxes, slats, used bottles, and tinfoil and later, in the ’80s, he made sometimes-monumental wooden sculptures. Penck was also a jazz musician and published theoretical writings, sometimes juxtaposing or interspersing them with poems. He worked collaboratively at various times with the West German artist Jorg Immendorff.

German, 1939-2017, Dresden, Germany