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Page 1 of 9
Page 1 of 9

Artwork size: 70x29x8 cm.
Artwork size with socle 74x38x17 cm.
Free shipment worldwide.

Medium
Condition
Very good condition
Signature
Hand-signed by artist, Signed and dated -66 on the right side
Certificate of authenticity
Included
Frame
Not included
Image rights
Copyright Galleri GKM.

Arman (born Armand Pierre Fernandez) was an early proponent of accumulation and scatter art. In 1959, he began displaying collections of objects in Plexiglas cases and creating installations of strewn garbage, which he called “Poubelles,” or “trash bins.” He also welded identical objects together to create larger sculptural pieces. In 1961, along with Yves Klein, Jean Tinguely, Jacques Villeglé, art critic Pierre Restany, and others, Arman founded Nouveau Réalisme, a group interested in new approaches to the concept of “reality.” Spending time in New York in the 1960s, Arman adopted destruction as a strategy for creating something new—slicing, burning, and smashing objects such as bronze statues and musical instruments to mount on canvas. Andy Warhol owned two of Arman’s Poubelles, and Arman appears in the Warhol’s 1964 film Dinner at Daley’s.

Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA)
Selected exhibitions
2019
The Voice of ThingsDemisch Danant
2017
Arman: EmersionsCardi Gallery
2016
Shrines to Speed Art And The Automobile: From The Minimal To The PostmodernLeila Heller Gallery
View all

Colère de Violon, 1966

Burnt violin in Plexiglas
29 1/10 × 15 × 6 7/10 in
74 × 38 × 17 cm
.
€75,000
Ships from Malmö, SE
Free shipping worldwide
VAT included in price
Location
Malmö, Paris
Certificate
This work includes a certificate of authenticity.
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Artwork size: 70x29x8 cm.
Artwork size with socle 74x38x17 cm.
Free shipment worldwide.

Medium
Condition
Very good condition
Signature
Hand-signed by artist, Signed and dated -66 on the right side
Certificate of authenticity
Included
Frame
Not included
Image rights
Copyright Galleri GKM.

Arman (born Armand Pierre Fernandez) was an early proponent of accumulation and scatter art. In 1959, he began displaying collections of objects in Plexiglas cases and creating installations of strewn garbage, which he called “Poubelles,” or “trash bins.” He also welded identical objects together to create larger sculptural pieces. In 1961, along with Yves Klein, Jean Tinguely, Jacques Villeglé, art critic Pierre Restany, and others, Arman founded Nouveau Réalisme, a group interested in new approaches to the concept of “reality.” Spending time in New York in the 1960s, Arman adopted destruction as a strategy for creating something new—slicing, burning, and smashing objects such as bronze statues and musical instruments to mount on canvas. Andy Warhol owned two of Arman’s Poubelles, and Arman appears in the Warhol’s 1964 film Dinner at Daley’s.

Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA)
Selected exhibitions (3)
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