Arman, ‘Multicolours accumulation with tubes.’, 1993, Galleri GKM
Arman, ‘Multicolours accumulation with tubes.’, 1993, Galleri GKM
Arman, ‘Multicolours accumulation with tubes.’, 1993, Galleri GKM

Frame with white gold.
Free shipment worldwide.

Signature: Signed and numbered on the verso.

Image rights: Copyright Galleri GKM

About Arman

Arman (born Armand Pierre Fernandez) was an early proponent of accumulation and scatter art. In 1959, he began displaying collections of objects in Plexiglas cases and creating installations of strewn garbage, which he called “Poubelles,” or “trash bins.” He also welded identical objects together to create larger sculptural pieces. In 1961, along with Yves Klein, Jean Tinguely, Jacques Villeglé, art critic Pierre Restany, and others, Arman founded Nouveau Réalisme, a group interested in new approaches to the concept of “reality.” Spending time in New York in the 1960s, Arman adopted destruction as a strategy for creating something new—slicing, burning, and smashing objects such as bronze statues and musical instruments to mount on canvas. Andy Warhol owned two of Arman’s Poubelles, and Arman appears in the Warhol’s 1964 film Dinner at Daley’s.

French-American, 1928-2005, Nice, France

Solo Shows

Group Shows

2018
2018
Stockholm,
2016
New York,
Shrines to Speed Art And The Automobile: From The Minimal To The Postmodern
2015
The Royal Museum of Fine Arts of Belgium, 
Brussels, Belgium,
2050 a brief history of the future
View Artist's CV