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Composizione, 1960

Carayon and inch on paper
19 7/10 × 13 1/5 in
50 × 33.5 cm
Bidding closed
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About the work
Provenance
F
Finarte

Work registered with Archivio Arnaldo Pomodoro, Milan, n. D/60/42. …

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Work registered with Archivio Arnaldo Pomodoro, Milan, n. D/60/42.

This lot is subject to Artists Resale Rights

Signature
Signed and dated on the front: Arnaldo Pomodoro '60 Signed on the back: Pomodoro Arnaldo
Arnaldo Pomodoro
Italian, b. 1926
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Arnaldo Pomodoro thinks of his massive, architectural sculptures as “crystals, or nuclei, or as eyes, or signal fires,” he says. ”I see them as relating to borders and voyages, to the worlds of complexity and imagination.” Drawing on his training in architecture, Pomodoro’s concerns center on the relationship between each individual sculpture and the space in which it is installed. Early on, admiration for Paul Klee prompted the artist to translate Klee’s linear drawings into dimensional elements in his early relief sculpture. Ultimately, however, Pomodoro became known for large, free-standing geometric forms, especially columns, cubes, pyramids, spheres, and discs. Works such as Rotator with a Central Perforation (1969)—a bronze sphere—exemplify his smooth, streamlined style and devotion to idealized shapes, often reminiscent of Constantin Brancusi. Unlike many of his contemporaries, Pomodoro insists on partaking in the physical fabrication of his work.

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View in room
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Save
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view
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About the work
Provenance
F
Finarte

Work registered with Archivio Arnaldo Pomodoro, Milan, n. D/60/42. …

Read more

Work registered with Archivio Arnaldo Pomodoro, Milan, n. D/60/42.

This lot is subject to Artists Resale Rights

Signature
Signed and dated on the front: Arnaldo Pomodoro '60 Signed on the back: Pomodoro Arnaldo
Arnaldo Pomodoro
Italian, b. 1926
Follow

Arnaldo Pomodoro thinks of his massive, architectural sculptures as “crystals, or nuclei, or as eyes, or signal fires,” he says. ”I see them as relating to borders and voyages, to the worlds of complexity and imagination.” Drawing on his training in architecture, Pomodoro’s concerns center on the relationship between each individual sculpture and the space in which it is installed. Early on, admiration for Paul Klee prompted the artist to translate Klee’s linear drawings into dimensional elements in his early relief sculpture. Ultimately, however, Pomodoro became known for large, free-standing geometric forms, especially columns, cubes, pyramids, spheres, and discs. Works such as Rotator with a Central Perforation (1969)—a bronze sphere—exemplify his smooth, streamlined style and devotion to idealized shapes, often reminiscent of Constantin Brancusi. Unlike many of his contemporaries, Pomodoro insists on partaking in the physical fabrication of his work.

Composizione, 1960

Carayon and inch on paper
19 7/10 × 13 1/5 in
50 × 33.5 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Arnaldo Pomodoro