Arnaldo Pomodoro, ‘Untitled’, 1970-1979, Print, Photolithographic (6 offset colors) on paper, La Maison de la Petite Sara
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Arnaldo Pomodoro

Untitled, 1970-1979

Photolithographic (6 offset colors) on paper
11 4/5 × 9 3/10 in
30 × 23.5 cm
Edition 3381/5000
.
Sold
Location
Dogana, Republic of San Marino
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Want to sell a work by this artist? Consign with Artsy.
La Maison de la Petite Sara
Dogana, Republic of San Marino

Beautiful photolithographic (6 offset colors) of the original work by Arnaldo Pomodoro expressly …

Medium
Condition
Excellent
Signature
Hand-signed by artist, on the front, on the lower right corner
Certificate of authenticity
Included
Frame
Not included
Publisher
Bolaffi Arte
Arnaldo Pomodoro
Italian, b. 1926
Follow

Arnaldo Pomodoro thinks of his massive, architectural sculptures as “crystals, or nuclei, or as eyes, or signal fires,” he says. ”I see them as relating to borders and voyages, to the worlds of complexity and imagination.” Drawing on his training in architecture, Pomodoro’s concerns center on the relationship between each individual sculpture and the space in which it is installed. Early on, admiration for Paul Klee prompted the artist to translate Klee’s linear drawings into dimensional elements in his early relief sculpture. Ultimately, however, Pomodoro became known for large, free-standing geometric forms, especially columns, cubes, pyramids, spheres, and discs. Works such as Rotator with a Central Perforation (1969)—a bronze sphere—exemplify his smooth, streamlined style and devotion to idealized shapes, often reminiscent of Constantin Brancusi. Unlike many of his contemporaries, Pomodoro insists on partaking in the physical fabrication of his work.

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Arnaldo Pomodoro, ‘Untitled’, 1970-1979, Print, Photolithographic (6 offset colors) on paper, La Maison de la Petite Sara
Navigate right
Save
Save
View
View in room
Share
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La Maison de la Petite Sara
Dogana, Republic of San Marino

Beautiful photolithographic (6 offset colors) of the original work by Arnaldo Pomodoro expressly performed for the n° 10 of Bolaffi Arte.

The artwork is accompanied by our certification of authenticity, complete with photo, description, period and dimensions.

Reasonable offers are taken in consideration.

Specimen: …

Medium
Condition
Excellent
Signature
Hand-signed by artist, on the front, on the lower right corner
Certificate of authenticity
Included
Frame
Not included
Publisher
Bolaffi Arte
Arnaldo Pomodoro
Italian, b. 1926
Follow

Arnaldo Pomodoro thinks of his massive, architectural sculptures as “crystals, or nuclei, or as eyes, or signal fires,” he says. ”I see them as relating to borders and voyages, to the worlds of complexity and imagination.” Drawing on his training in architecture, Pomodoro’s concerns center on the relationship between each individual sculpture and the space in which it is installed. Early on, admiration for Paul Klee prompted the artist to translate Klee’s linear drawings into dimensional elements in his early relief sculpture. Ultimately, however, Pomodoro became known for large, free-standing geometric forms, especially columns, cubes, pyramids, spheres, and discs. Works such as Rotator with a Central Perforation (1969)—a bronze sphere—exemplify his smooth, streamlined style and devotion to idealized shapes, often reminiscent of Constantin Brancusi. Unlike many of his contemporaries, Pomodoro insists on partaking in the physical fabrication of his work.

Arnaldo Pomodoro

Untitled, 1970-1979

Photolithographic (6 offset colors) on paper
11 4/5 × 9 3/10 in
30 × 23.5 cm
Edition 3381/5000
.
Sold
Location
Dogana, Republic of San Marino
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Want to sell a work by this artist? Consign with Artsy.
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