Arthur Elgort, ‘Keith Richards, Long View Farm, Massachuessetts’, 1981, Photography, Gelatin silver print, Atlas Gallery
Save
Save
View
View in room
Share
Share

Arthur Elgort

Keith Richards, Long View Farm, Massachuessetts, 1981

Gelatin silver print
.
11 × 14 in
27.9 × 35.6 cm
Edition 3/30
$6,000
20 × 24 in
50.8 × 61 cm
Edition of 30
$8,500
40 × 60 in
101.6 × 152.4 cm
Edition of 12
$18,500
60 × 80 in
152.4 × 203.2 cm
Edition of 10
$25,000
16 × 20 in
40.6 × 50.8 cm
Edition of 30
$7,500
30 × 40 in
76.2 × 101.6 cm
Edition of 30
$11,000
Location
London
Have a question? Visit our help center.
About the work
Price ranges of photographs by Arthur Elgort
Learn more
More info
Browse works in this category
$24,000–$25,500
This work
$0
$31,500+
Arthur Elgort
American, b. 1940
Follow

Vogue photographer Arthur Elgort made his mark in 1971 when his portfolio of black-and-white pictures of a model playing with a dog ran in the British version of the magazine, and something new was injected into fashion photography: movement. This snapshot aesthetic has characterized his work since the beginning of his career and garnered him acclaim for bringing buoyancy, lightness, and naturalism into fashion and advertising images. Trained as a painter, he switched to photography to feed his need for human company. In addition to shooting the world’s top models and celebrities, he has gone backstage at the New York City Ballet and jazz clubs to capture dancers and musicians. Elgort attributes his improvisatory, active approach to his lifelong passion for jazz and ballet, claiming, “You can take a picture or you can make a picture. I much prefer the latter.”

Arthur Elgort, ‘Keith Richards, Long View Farm, Massachuessetts’, 1981, Photography, Gelatin silver print, Atlas Gallery
Save
Save
View
View in room
Share
Share
About the work
Price ranges of photographs by Arthur Elgort
Learn more
More info
Browse works in this category
$24,000–$25,500
This work
$0
$31,500+
Arthur Elgort
American, b. 1940
Follow

Vogue photographer Arthur Elgort made his mark in 1971 when his portfolio of black-and-white pictures of a model playing with a dog ran in the British version of the magazine, and something new was injected into fashion photography: movement. This snapshot aesthetic has characterized his work since the beginning of his career and garnered him acclaim for bringing buoyancy, lightness, and naturalism into fashion and advertising images. Trained as a painter, he switched to photography to feed his need for human company. In addition to shooting the world’s top models and celebrities, he has gone backstage at the New York City Ballet and jazz clubs to capture dancers and musicians. Elgort attributes his improvisatory, active approach to his lifelong passion for jazz and ballet, claiming, “You can take a picture or you can make a picture. I much prefer the latter.”

Arthur Elgort

Keith Richards, Long View Farm, Massachuessetts, 1981

Gelatin silver print
.
11 × 14 in
27.9 × 35.6 cm
Edition 3/30
$6,000
20 × 24 in
50.8 × 61 cm
Edition of 30
$8,500
40 × 60 in
101.6 × 152.4 cm
Edition of 12
$18,500
60 × 80 in
152.4 × 203.2 cm
Edition of 10
$25,000
16 × 20 in
40.6 × 50.8 cm
Edition of 30
$7,500
30 × 40 in
76.2 × 101.6 cm
Edition of 30
$11,000
Location
London
Have a question? Visit our help center.
Series by this artist
Other works from Arthur Elgort
Other works by Arthur Elgort
Other works from Atlas Gallery
Related works
Most Similar