Aurelie Nemours, ‘Partage (Re Rom 332)’, ca. 1955, Galerie La Ligne
Aurelie Nemours, ‘Partage (Re Rom 332)’, ca. 1955, Galerie La Ligne
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Aurelie Nemours

Partage (Re Rom 332), ca. 1955

Pastell
7 1/2 × 5 9/10 in
19 × 15 cm
€7,500 - 10,000
location
Zürich
Have a question? Read our FAQ.
About the work
Galerie La Ligne
Zürich
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framed with museums glass

framed with museums glass

Signature
Yes - shorthand symbol on the back
Aurelie Nemours
French , 1910–2005
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Following the principles of Geometric Abstraction, Aurelie Nemours stripped painting to its …

Read more

Following the principles of Geometric Abstraction, Aurelie Nemours stripped painting to its essence, producing austere compositions of right angles and squares, whose rigid geometry she softened with evidence of the artist’s touch. She began her career studying art history, focusing on the ancient Egyptian and …

Read more
Aurelie Nemours, ‘Partage (Re Rom 332)’, ca. 1955, Galerie La Ligne
Aurelie Nemours, ‘Partage (Re Rom 332)’, ca. 1955, Galerie La Ligne
Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Galerie La Ligne
Zürich
Follow

framed with museums glass

framed with museums glass

Signature
Yes - shorthand symbol on the back
Aurelie Nemours
French , 1910–2005
Follow

Following the principles of Geometric Abstraction, Aurelie Nemours stripped painting to its …

Read more

Following the principles of Geometric Abstraction, Aurelie Nemours stripped painting to its essence, producing austere compositions of right angles and squares, whose rigid geometry she softened with evidence of the artist’s touch. She began her career studying art history, focusing on the ancient Egyptian and …

Read more

Aurelie Nemours

Partage (Re Rom 332), ca. 1955

Pastell
7 1/2 × 5 9/10 in
19 × 15 cm
€7,500 - 10,000
location
Zürich
Have a question? Read our FAQ.