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Axel Salto

vase, c. 1960

Glazed stoneware
8 in
20.3 cm
Bidding closed
About the work
Provenance
W
Wright

Dimensions: 8.5 dia x 8 h in (22 x 20 cm)

Incised signature with glazed three line wave mark: …

Read more

Dimensions: 8.5 dia x 8 h in (22 x 20 cm)

Incised signature with glazed three line wave mark: [Salto 20560] and stamped manufacturer's mark to underside: [Royal Copenhagen Denmark].

Denmark

Medium
Design/Decorative Art
Manufacturer
Royal Copenhagen
Axel Salto
Danish, 1889–1961
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At a time when potters around him looked to the understated and refined traditions of Japan and China, ceramic artist Axel Salto produced earthy, sensual works inspired by nature. The Danish designer was an independent voice that favored sculptural over functional forms—which he classified by shape into three categories: “budding,” “sprouting,” and “fluted.” He was especially drawn toward three-dimensional motifs from the plant world—including symbols of fertility like seedpods and budding flowers or fruit—which he richly colored with glazes. From 1930 he worked at Royal Copenhagen, and also as a graphic designer for books, jewelry, and textiles. He was the recipient of many awards including the Grand Prix at the Milan Triennale 1951.

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share
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share
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About the work
Provenance
W
Wright

Dimensions: 8.5 dia x 8 h in (22 x 20 cm)

Incised signature with glazed three line wave mark: …

Read more

Dimensions: 8.5 dia x 8 h in (22 x 20 cm)

Incised signature with glazed three line wave mark: [Salto 20560] and stamped manufacturer's mark to underside: [Royal Copenhagen Denmark].

Denmark

Medium
Design/Decorative Art
Manufacturer
Royal Copenhagen
Axel Salto
Danish, 1889–1961
Follow

At a time when potters around him looked to the understated and refined traditions of Japan and China, ceramic artist Axel Salto produced earthy, sensual works inspired by nature. The Danish designer was an independent voice that favored sculptural over functional forms—which he classified by shape into three categories: “budding,” “sprouting,” and “fluted.” He was especially drawn toward three-dimensional motifs from the plant world—including symbols of fertility like seedpods and budding flowers or fruit—which he richly colored with glazes. From 1930 he worked at Royal Copenhagen, and also as a graphic designer for books, jewelry, and textiles. He was the recipient of many awards including the Grand Prix at the Milan Triennale 1951.

Axel Salto

vase, c. 1960

Glazed stoneware
8 in
20.3 cm
Bidding closed
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