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Ayan Farah

Rhen, 2014

Terracotta on linen
67 × 47 1/2 in
170.2 × 120.7 cm
Bidding closed
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About the work
Exhibition history
Provenance
P
Phillips
Signature
Signed, titled and dated "Ayan Farah Rhen 2014" on the overlap; further signed, titled and dated "2014 Ayan Farah Rhen" on the stretcher
Ayan Farah
Somali-Swedish, b. 1978
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Ayan Farah makes unconventional mixed-media paintings, as well as installations, photographs, videos, and sound pieces, through which she explores the overlap between natural and manmade environments, and notions of chance and control. Her work, in her words, is “about weight and weightlessness, the making or the unmaking of the work and its nature, its cause and creation.” She is especially known for her work with textiles, which she weathers, stains, and otherwise alters with materials including terracotta, salt, vinegar, and ash. Working both inside and outdoors, she has buried textiles in the earth, left them outside to be beaten by wind and sun, and manipulated their surfaces with a mixture of acidic substances in her studio. Farah then drapes them onto wooden stretchers, where they appear as luminous abstractions, resonant with the time-based process of their making.

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Exhibition history
Provenance
P
Phillips
Signature
Signed, titled and dated "Ayan Farah Rhen 2014" on the overlap; further signed, titled and dated "2014 Ayan Farah Rhen" on the stretcher
Ayan Farah
Somali-Swedish, b. 1978
Follow

Ayan Farah makes unconventional mixed-media paintings, as well as installations, photographs, videos, and sound pieces, through which she explores the overlap between natural and manmade environments, and notions of chance and control. Her work, in her words, is “about weight and weightlessness, the making or the unmaking of the work and its nature, its cause and creation.” She is especially known for her work with textiles, which she weathers, stains, and otherwise alters with materials including terracotta, salt, vinegar, and ash. Working both inside and outdoors, she has buried textiles in the earth, left them outside to be beaten by wind and sun, and manipulated their surfaces with a mixture of acidic substances in her studio. Farah then drapes them onto wooden stretchers, where they appear as luminous abstractions, resonant with the time-based process of their making.

Ayan Farah

Rhen, 2014

Terracotta on linen
67 × 47 1/2 in
170.2 × 120.7 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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