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Bai Yiluo

People, 2004

Vintage color C-print, mounted on dibond.
28 7/20 × 78 37/50 in
72 × 200 cm
Bidding closed
About the work
IP
Il Ponte
Signature
Signed, titled, dated and 2/10 on the verso.
Bai Yiluo
Chinese, b. 1968
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Bai Yiluo, who earned his living at a factory in Luoyang before he began producing art, once said: “It does not matter what you do, you will never be able to escape the experiences you’ve passed through.” Fittingly, his photography-based installations and sculptures are recognizable for their labor intensity and use of found objects. For Bai, the primary themes of his artwork have to do with the intersection of popular and traditional Chinese culture in shaping Chinese identity. Some of his most prominent works feature discarded anonymous ID photos as a primary material, as in Untitled (US Dollar) (2008), Animal Destiny (2005), and Fate No. 4 (2007). His work is often characterized by political overtones and violent imagery.

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Save
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view
View in room
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About the work
IP
Il Ponte
Signature
Signed, titled, dated and 2/10 on the verso.
Bai Yiluo
Chinese, b. 1968
Follow

Bai Yiluo, who earned his living at a factory in Luoyang before he began producing art, once said: “It does not matter what you do, you will never be able to escape the experiences you’ve passed through.” Fittingly, his photography-based installations and sculptures are recognizable for their labor intensity and use of found objects. For Bai, the primary themes of his artwork have to do with the intersection of popular and traditional Chinese culture in shaping Chinese identity. Some of his most prominent works feature discarded anonymous ID photos as a primary material, as in Untitled (US Dollar) (2008), Animal Destiny (2005), and Fate No. 4 (2007). His work is often characterized by political overtones and violent imagery.

Bai Yiluo

People, 2004

Vintage color C-print, mounted on dibond.
28 7/20 × 78 37/50 in
72 × 200 cm
Bidding closed
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