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Numbered from the edition of 500 in pencil, published by Modern Multiples Fine Art Editions, Los Angeles, with full margins, sheet 800 x 1210mm (31 1/2 x 47 5/8in)

This work is accompanied by a certificate of authenticity issued by Pest Control Office.

Please note this print is from the Barely Legal (LA Edition), …

Medium
Banksy
British

Whether plastering cities with his trademark parachuting rat, painting imagined openings in the West Bank barrier in Israel, or stenciling “We’re bored of fish” above a penguins’ zoo enclosure, Banksy creates street art with an irreverent wit and an international reputation that precedes his anonymous identity. “TV has made going to the theatre seem pointless, photography has pretty much killed painting,” he says, “but graffiti has remained gloriously unspoilt by progress.” Banksy has gained his notoriety through a range of urban interventions, from modifying street signs and printing his own currency to illegally hanging his own works in institutions such as the Louvre and the Museum of Modern Art. Most often using spray paint and stencils, Banksy has crafted a signature, immediately identifiable graphic style—and a recurring cast of cops, soldiers, children, and celebrities—through which he critically examines contemporary issues of consumerism, political authority, terrorism, and the status of art and its display.

Selected exhibitions
2020
Banksy: Catch Me If You CanHOFA Gallery (House of Fine Art)
BANKSY: UnmaskedTaglialatella Galleries
2013
Urban Art ClassicsMUCA
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Banksy
British

Applause (LA Edition), 2006

Screenprint in colours, on wove paper
31 1/2 × 47 3/5 in
80 × 121 cm
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FA
Forum Auctions

Numbered from the edition of 500 in pencil, published by Modern Multiples Fine Art Editions, Los …

Medium
Banksy
British

Whether plastering cities with his trademark parachuting rat, painting imagined openings in the West Bank barrier in Israel, or stenciling “We’re bored of fish” above a penguins’ zoo enclosure, Banksy creates street art with an irreverent wit and an international reputation that precedes his anonymous identity. “TV has made going to the theatre seem pointless, photography has pretty much killed painting,” he says, “but graffiti has remained gloriously unspoilt by progress.” Banksy has gained his notoriety through a range of urban interventions, from modifying street signs and printing his own currency to illegally hanging his own works in institutions such as the Louvre and the Museum of Modern Art. Most often using spray paint and stencils, Banksy has crafted a signature, immediately identifiable graphic style—and a recurring cast of cops, soldiers, children, and celebrities—through which he critically examines contemporary issues of consumerism, political authority, terrorism, and the status of art and its display.

Selected exhibitions (3)
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