Banksy, ‘Blow Pop Records’, 1999, Mixed Media, Aerosol and stencil on record sleeve including the vinyl record in 33 rpm, PIASA
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Banksy

Blow Pop Records, 1999

Aerosol and stencil on record sleeve including the vinyl record in 33 rpm
Edition of 100
Bidding closed
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P
PIASA

Edition of 100 copies (D) : 31 x 31 cm (C) : 43,7 x 43,7 cm

Buyer responsible for Buyer’s Premium …

Medium
Banksy
British
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Whether plastering cities with his trademark parachuting rat, painting imagined openings in the West Bank barrier in Israel, or stenciling “We’re bored of fish” above a penguins’ zoo enclosure, Banksy creates street art with an irreverent wit and an international reputation that precedes his anonymous identity. “TV has made going to the theatre seem pointless, photography has pretty much killed painting,” he says, “but graffiti has remained gloriously unspoilt by progress.” Banksy has gained his notoriety through a range of urban interventions, from modifying street signs and printing his own currency to illegally hanging his own works in institutions such as the Louvre and the Museum of Modern Art. Most often using spray paint and stencils, Banksy has crafted a signature, immediately identifiable graphic style—and a recurring cast of cops, soldiers, children, and celebrities—through which he critically examines contemporary issues of consumerism, political authority, terrorism, and the status of art and its display.

Banksy, ‘Blow Pop Records’, 1999, Mixed Media, Aerosol and stencil on record sleeve including the vinyl record in 33 rpm, PIASA
Save
Save
Share
Share
P
PIASA

Edition of 100 copies (D) : 31 x 31 cm (C) : 43,7 x 43,7 cm

Buyer responsible for Buyer’s Premium and any applicable taxes, including VAT.

Medium
Banksy
British
Follow

Whether plastering cities with his trademark parachuting rat, painting imagined openings in the West Bank barrier in Israel, or stenciling “We’re bored of fish” above a penguins’ zoo enclosure, Banksy creates street art with an irreverent wit and an international reputation that precedes his anonymous identity. “TV has made going to the theatre seem pointless, photography has pretty much killed painting,” he says, “but graffiti has remained gloriously unspoilt by progress.” Banksy has gained his notoriety through a range of urban interventions, from modifying street signs and printing his own currency to illegally hanging his own works in institutions such as the Louvre and the Museum of Modern Art. Most often using spray paint and stencils, Banksy has crafted a signature, immediately identifiable graphic style—and a recurring cast of cops, soldiers, children, and celebrities—through which he critically examines contemporary issues of consumerism, political authority, terrorism, and the status of art and its display.

Banksy

Blow Pop Records, 1999

Aerosol and stencil on record sleeve including the vinyl record in 33 rpm
Edition of 100
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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