Banksy, ‘Bomb Hugger’, 2003, MultiplesInc Projects
Banksy, ‘Bomb Hugger’, 2003, MultiplesInc Projects
Banksy, ‘Bomb Hugger’, 2003, MultiplesInc Projects
Banksy, ‘Bomb Hugger’, 2003, MultiplesInc Projects
Banksy, ‘Bomb Hugger’, 2003, MultiplesInc Projects
Banksy, ‘Bomb Hugger’, 2003, MultiplesInc Projects
Banksy, ‘Bomb Hugger’, 2003, MultiplesInc Projects
Banksy, ‘Bomb Hugger’, 2003, MultiplesInc Projects
Banksy, ‘Bomb Hugger’, 2003, MultiplesInc Projects

BOMB HUGGER, 2003
Aerosol on cardboard

34 1/2 by 21 1/2 inches
(The only existing photo documented work that exist from the 2003 anti war demo).
A black and red aerosol stencil executed on cardboard depicting a young girl with braids hugging an aerial bomb. The painting was used as a placard in England during the international anti-war protests of 2003. A photograph of the owner shown holding the placard can be seen in a corresponding article published in the Basingstoke Gazette during the time of the protests.

PROVENANCE
Basingstoke Anti-War Protest, England

LITERATURE
Basingstoke Gazette (UK, March, 2003)

Please note that this is the only existing there is with a 100 % conclusive proof from 2003.

About Banksy

Whether plastering cities with his trademark parachuting rat, painting imagined openings in the West Bank barrier in Israel, or stenciling “We’re bored of fish” above a penguins’ zoo enclosure, Banksy creates street art with an irreverent wit and an international reputation that precedes his anonymous identity. “TV has made going to the theatre seem pointless, photography has pretty much killed painting,” he says, “but graffiti has remained gloriously unspoilt by progress.” Banksy has gained his notoriety through a range of urban interventions, from modifying street signs and printing his own currency to illegally hanging his own works in institutions such as the Louvre and the Museum of Modern Art. Most often using spray paint and stencils, Banksy has crafted a signature, immediately identifiable graphic style—and a recurring cast of cops, soldiers, children, and celebrities—through which he critically examines contemporary issues of consumerism, political authority, terrorism, and the status of art and its display.

British, Bristol, United Kingdom

Solo Shows

2017
Venice Biennale, 
Venice, Metropolitan City of Venice, Italy,
asdf
2013

Group Shows

2018
Birmingham,
From Pop Art to Art Pop: Album Covers By 20th Century Masters
2018
2016
Guy Hepner, 
New York,
2015
Masters Projects, 
Brooklyn,
2014
View Artist's CV