Screenprint in colors, 2010, signed in pencil, numbered edition of 58, with the publisher's blindstamp, Pictures on Walls, London, on wove paper. Accompanied by COA from Pest Control.

Medium
Condition
Excellent condition.
Signature
Hand-signed by artist, Hand-Signed by the artist
Certificate of authenticity
Included
Frame
Included
Publisher
POW, London
Banksy
British

Whether plastering cities with his trademark parachuting rat, painting imagined openings in the West Bank barrier in Israel, or stenciling “We’re bored of fish” above a penguins’ zoo enclosure, Banksy creates street art with an irreverent wit and an international reputation that precedes his anonymous identity. “TV has made going to the theatre seem pointless, photography has pretty much killed painting,” he says, “but graffiti has remained gloriously unspoilt by progress.” Banksy has gained his notoriety through a range of urban interventions, from modifying street signs and printing his own currency to illegally hanging his own works in institutions such as the Louvre and the Museum of Modern Art. Most often using spray paint and stencils, Banksy has crafted a signature, immediately identifiable graphic style—and a recurring cast of cops, soldiers, children, and celebrities—through which he critically examines contemporary issues of consumerism, political authority, terrorism, and the status of art and its display.

Selected exhibitions
2020
Banksy: Catch Me If You CanHOFA Gallery (House of Fine Art)
BANKSY: UnmaskedTaglialatella Galleries
2013
Urban Art ClassicsMUCA
View all
Banksy
British

Choose Your Weapon, 2010

Screenprint on paper
27 3/5 × 27 3/5 in
70 × 70 cm
.
Sold
Location
Miami
Certificate
This work includes a certificate of authenticity.
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Screenprint in colors, 2010, signed in pencil, numbered edition of 58, with the publisher's …

Medium
Condition
Excellent condition.
Signature
Hand-signed by artist, Hand-Signed by the artist
Certificate of authenticity
Included
Frame
Included
Publisher
POW, London
Banksy
British

Whether plastering cities with his trademark parachuting rat, painting imagined openings in the West Bank barrier in Israel, or stenciling “We’re bored of fish” above a penguins’ zoo enclosure, Banksy creates street art with an irreverent wit and an international reputation that precedes his anonymous identity. “TV has made going to the theatre seem pointless, photography has pretty much killed painting,” he says, “but graffiti has remained gloriously unspoilt by progress.” Banksy has gained his notoriety through a range of urban interventions, from modifying street signs and printing his own currency to illegally hanging his own works in institutions such as the Louvre and the Museum of Modern Art. Most often using spray paint and stencils, Banksy has crafted a signature, immediately identifiable graphic style—and a recurring cast of cops, soldiers, children, and celebrities—through which he critically examines contemporary issues of consumerism, political authority, terrorism, and the status of art and its display.

Selected exhibitions (3)
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