Widely recognised as one of Banksy most iconic images, 'Choose Your Weapon' was the last Banksy edition available to purchase publicly and it caused quite the chaos when released. The Queue Jumper colour way was produced by POW in only 58 copies especially for those who missed out.

Medium
Signature
Hand-signed by artist, Signed and numbered by the artist
Certificate of authenticity
Included
Banksy
British

Whether plastering cities with his trademark parachuting rat, painting imagined openings in the West Bank barrier in Israel, or stenciling “We’re bored of fish” above a penguins’ zoo enclosure, Banksy creates street art with an irreverent wit and an international reputation that precedes his anonymous identity. “TV has made going to the theatre seem pointless, photography has pretty much killed painting,” he says, “but graffiti has remained gloriously unspoilt by progress.” Banksy has gained his notoriety through a range of urban interventions, from modifying street signs and printing his own currency to illegally hanging his own works in institutions such as the Louvre and the Museum of Modern Art. Most often using spray paint and stencils, Banksy has crafted a signature, immediately identifiable graphic style—and a recurring cast of cops, soldiers, children, and celebrities—through which he critically examines contemporary issues of consumerism, political authority, terrorism, and the status of art and its display.

Selected exhibitions
2020
Banksy: Catch Me If You CanHOFA Gallery (House of Fine Art)
BANKSY: UnmaskedTaglialatella Galleries
2013
Urban Art ClassicsMUCA
View all
Banksy
British

Choose Your Weapon (Warm 'Queue Jumper' Grey), 2010

Screen print on paper
27 3/5 × 27 3/5 in
70 × 70 cm
.
Sold
Location
London
Certificate
This work includes a certificate of authenticity.
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Widely recognised as one of Banksy most iconic images, 'Choose Your Weapon' was the last …

Medium
Signature
Hand-signed by artist, Signed and numbered by the artist
Certificate of authenticity
Included
Banksy
British

Whether plastering cities with his trademark parachuting rat, painting imagined openings in the West Bank barrier in Israel, or stenciling “We’re bored of fish” above a penguins’ zoo enclosure, Banksy creates street art with an irreverent wit and an international reputation that precedes his anonymous identity. “TV has made going to the theatre seem pointless, photography has pretty much killed painting,” he says, “but graffiti has remained gloriously unspoilt by progress.” Banksy has gained his notoriety through a range of urban interventions, from modifying street signs and printing his own currency to illegally hanging his own works in institutions such as the Louvre and the Museum of Modern Art. Most often using spray paint and stencils, Banksy has crafted a signature, immediately identifiable graphic style—and a recurring cast of cops, soldiers, children, and celebrities—through which he critically examines contemporary issues of consumerism, political authority, terrorism, and the status of art and its display.

Selected exhibitions (3)
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