Banksy, ‘Trolleys (Black and White)’, 2007, Lougher Contemporary

Banksy was the first UK graffiti artist to successfully straddle the divide between street and fine art. Having initially built his reputation on a series of high profile public stunts, such as installing his own painting into the Tate Museum, Banksy has become a worldwide phenomenon and the leader of the street art movement. He started making editioned prints in 2002 and created over 50 in an 8 year period. His wit, humour and message have connected with a large international audience and he has become one of the hottest and most important living contemporary artists in the world.

Furthering his critique on society and taking a stance on consumerism, this work comically depicts tribal hunters "hunting" for grocery shopping carts. Here, Banksy questions the impact of westernization through the juxtaposition of conflicting imagery, thus altering the viewer’s perception of consumer culture through role reversals. This print is sold on consignment, framed and in excellent condition. Please note this is from the numbered edition of 500 (there was also a signed edition of 150). It comes with the COA from Pest Control.

Images are available on request, please contact the gallery with any questions.

Signature: Numbered, recto (not signed by the artist)

Publisher: Pictures on Walls

Pictures on Walls

About Banksy

Whether plastering cities with his trademark parachuting rat, painting imagined openings in the West Bank barrier in Israel, or stenciling “We’re bored of fish” above a penguins’ zoo enclosure, Banksy creates street art with an irreverent wit and an international reputation that precedes his anonymous identity. “TV has made going to the theatre seem pointless, photography has pretty much killed painting,” he says, “but graffiti has remained gloriously unspoilt by progress.” Banksy has gained his notoriety through a range of urban interventions, from modifying street signs and printing his own currency to illegally hanging his own works in institutions such as the Louvre and the Museum of Modern Art. Most often using spray paint and stencils, Banksy has crafted a signature, immediately identifiable graphic style—and a recurring cast of cops, soldiers, children, and celebrities—through which he critically examines contemporary issues of consumerism, political authority, terrorism, and the status of art and its display.

British, Bristol, United Kingdom