Banksy, ‘Walled Off Hotel Postcards Set’, 2017, Cerbera Gallery
Banksy, ‘Walled Off Hotel Postcards Set’, 2017, Cerbera Gallery
Banksy, ‘Walled Off Hotel Postcards Set’, 2017, Cerbera Gallery
Banksy, ‘Walled Off Hotel Postcards Set’, 2017, Cerbera Gallery
Banksy, ‘Walled Off Hotel Postcards Set’, 2017, Cerbera Gallery
Banksy, ‘Walled Off Hotel Postcards Set’, 2017, Cerbera Gallery
Banksy, ‘Walled Off Hotel Postcards Set’, 2017, Cerbera Gallery
Banksy, ‘Walled Off Hotel Postcards Set’, 2017, Cerbera Gallery
Banksy, ‘Walled Off Hotel Postcards Set’, 2017, Cerbera Gallery
Banksy, ‘Walled Off Hotel Postcards Set’, 2017, Cerbera Gallery
Banksy, ‘Walled Off Hotel Postcards Set’, 2017, Cerbera Gallery
Banksy, ‘Walled Off Hotel Postcards Set’, 2017, Cerbera Gallery
Banksy, ‘Walled Off Hotel Postcards Set’, 2017, Cerbera Gallery
Banksy, ‘Walled Off Hotel Postcards Set’, 2017, Cerbera Gallery
Banksy, ‘Walled Off Hotel Postcards Set’, 2017, Cerbera Gallery

Banksy (et al.)
TItle: Walled Off Hotel Postcards Set
Medium: Offset Lithographs
Year: 2017
Condition: in mint condition
Size: 6.6 × 4.7 inches

These postcards were exclusively available at the Walled Off Hotel gift shop in Bethlehem, Palestine.

Set of 13 Offset Lithographs

Image rights: Cerbera Gallery, Inc.

About Banksy

Whether plastering cities with his trademark parachuting rat, painting imagined openings in the West Bank barrier in Israel, or stenciling “We’re bored of fish” above a penguins’ zoo enclosure, Banksy creates street art with an irreverent wit and an international reputation that precedes his anonymous identity. “TV has made going to the theatre seem pointless, photography has pretty much killed painting,” he says, “but graffiti has remained gloriously unspoilt by progress.” Banksy has gained his notoriety through a range of urban interventions, from modifying street signs and printing his own currency to illegally hanging his own works in institutions such as the Louvre and the Museum of Modern Art. Most often using spray paint and stencils, Banksy has crafted a signature, immediately identifiable graphic style—and a recurring cast of cops, soldiers, children, and celebrities—through which he critically examines contemporary issues of consumerism, political authority, terrorism, and the status of art and its display.

British, Bristol, United Kingdom