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Barnaby Hosking, ‘Ombré I’, 2015, The Fine Art Society
Barnaby Hosking, ‘Ombré I’, 2015, The Fine Art Society
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Barnaby Hosking

Ombré I, 2015

Bleached velvet
69 3/10 × 49 3/5 in
176 × 126 cm
About the work
Barnaby Hosking
British, b. 1976
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By mixing media and drawing from wildly disparate art-historical movements, such as Minimalism and Romanticism, Barnaby Hosking makes work that defies easy categorization. He is best known for his mixed-media video installations, in which he projects videos onto paintings, objects, or variously shaped screens, creating evocative combinations of moving and still images, sequential narratives and single scenes. In Being T/Here (Wild Swimming) III (2010), Hosking confounds perceptions of depth and flatness by layering projected landscapes over painted ones on rich pieces of black velvet.

Barnaby Hosking, ‘Ombré I’, 2015, The Fine Art Society
Barnaby Hosking, ‘Ombré I’, 2015, The Fine Art Society
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
Barnaby Hosking
British, b. 1976
Follow

By mixing media and drawing from wildly disparate art-historical movements, such as Minimalism and Romanticism, Barnaby Hosking makes work that defies easy categorization. He is best known for his mixed-media video installations, in which he projects videos onto paintings, objects, or variously shaped screens, creating evocative combinations of moving and still images, sequential narratives and single scenes. In Being T/Here (Wild Swimming) III (2010), Hosking confounds perceptions of depth and flatness by layering projected landscapes over painted ones on rich pieces of black velvet.

Barnaby Hosking

Ombré I, 2015

Bleached velvet
69 3/10 × 49 3/5 in
176 × 126 cm
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