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Barnett Newman

Untitled (The Cry), 1946

Ink on paper
36 × 24 in
91.4 × 61 cm
Location
Los Angeles
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About the work
MOCA
Los Angeles
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Untitled (The Cry) features a vertical band masked out from the ink wash that saturates the paper …

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Untitled (The Cry) features a vertical band masked out from the ink wash that saturates the paper ground. This and related drawings were precursors to Barnett Newman’s Zip paintings, monochrome canvases, each of which feature a piece of masking tape placed dead center, running vertically from top to bottom. The Zip …

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Medium
Drawing, Collage or other Work on Paper
Image rights
© 2012 Artists Right Society (ARS), New York
Barnett Newman
American, 1905–1970
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An originator of Abstract Expressionism, Barnett Newman changed the course of 20th-century American painting. Newman’s monumental color field paintings consist of rectangles of rich, often mono- or bi-chromatic color that, when viewed from close proximity, are meant to confer a powerful spiritual experience, an encounter with the sublime. Newman’s signature “Zip” paintings, the artist’s term for paintings with a narrow vertical stripe dividing planes of color, provide each painting with an architectural frame, such as in his iconic work Vir Heroicus Siblimis (1950-1951).

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About the work
MOCA
Los Angeles
Follow

Untitled (The Cry) features a vertical band masked out from the ink wash that saturates the paper …

Read more

Untitled (The Cry) features a vertical band masked out from the ink wash that saturates the paper ground. This and related drawings were precursors to Barnett Newman’s Zip paintings, monochrome canvases, each of which feature a piece of masking tape placed dead center, running vertically from top to bottom. The Zip …

Read more
Medium
Drawing, Collage or other Work on Paper
Image rights
© 2012 Artists Right Society (ARS), New York
Barnett Newman
American, 1905–1970
Follow

An originator of Abstract Expressionism, Barnett Newman changed the course of 20th-century American painting. Newman’s monumental color field paintings consist of rectangles of rich, often mono- or bi-chromatic color that, when viewed from close proximity, are meant to confer a powerful spiritual experience, an encounter with the sublime. Newman’s signature “Zip” paintings, the artist’s term for paintings with a narrow vertical stripe dividing planes of color, provide each painting with an architectural frame, such as in his iconic work Vir Heroicus Siblimis (1950-1951).

Barnett Newman

Untitled (The Cry), 1946

Ink on paper
36 × 24 in
91.4 × 61 cm
Location
Los Angeles
Want to sell a work by this artist? Consign with Artsy.
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