Barry X Ball, ‘Dual Screaming Self-Portrait Ensemble’, 1998-2006, Louise Alexander Gallery
Barry X Ball, ‘Dual Screaming Self-Portrait Ensemble’, 1998-2006, Louise Alexander Gallery
Barry X Ball, ‘Dual Screaming Self-Portrait Ensemble’, 1998-2006, Louise Alexander Gallery
Barry X Ball, ‘Dual Screaming Self-Portrait Ensemble’, 1998-2006, Louise Alexander Gallery
Barry X Ball, ‘Dual Screaming Self-Portrait Ensemble’, 1998-2006, Louise Alexander Gallery
Barry X Ball, ‘Dual Screaming Self-Portrait Ensemble’, 1998-2006, Louise Alexander Gallery
Barry X Ball, ‘Dual Screaming Self-Portrait Ensemble’, 1998-2006, Louise Alexander Gallery
Barry X Ball, ‘Dual Screaming Self-Portrait Ensemble’, 1998-2006, Louise Alexander Gallery

About Barry X Ball

Barry X Ball takes the forms and production methods of traditional sculpture and weds them to contemporary technologies. Ball uses the CNC milling technique, mostly on stone, to create replicable copies of famous artworks and portrait busts of contemporary artists such as Matthew Barney. With this production method, the sculptor transforms stone—a material once considered the domain of originals—into a medium for editioned works. By recreating iconic art-historical pieces such as Umberto Boccioni’s Unique Forms of Continuity in Space (1913), Ball strives to perfect the original, refine its various facets into a new material, and raise questions about casting and the role of authorship in sculpture.

American, b. 1955, Pasadena, CA, United States, based in New York, NY, United States

Solo Shows on Artsy

2014
Barry X Ball, Louise Alexander Gallery, Porto Cervo

Group Shows on Artsy

2017
Contemporary Classicism, McCabe Fine Art, 114 45 Stockholm