Benny Andrews, ‘Portrait of Viola Andrews’, 1986, Drawing, Collage or other Work on Paper, Ink on paper, Doyle
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Benny Andrews

Portrait of Viola Andrews, 1986

Ink on paper
22 1/4 × 14 3/4 in
56.5 × 37.5 cm
Bidding closed
D
Doyle

Unframed

Medium
Signature
Signed Benny Andrews, dated August 3, 1986, inscribed Lacoste, France and as titled (lr)
Benny Andrews
American, 1930–2006
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Benny Andrews’s narrative paintings tell poignant stories of social injustice. Inspired by his youth in the segregated American South, Andrews created a body of work depicting scenes from the Civil Rights movement, American Indian relocation, antiwar protests, and other cultural struggles. A self-described “people’s painter,” his overt political series are punctuated by paintings of everyday people and moments, encapsulating an expression of the human condition in times of conflict. He sought to convey authenticity of emotion by employing a painterly style reminiscent of folk art, often incorporating collaged elements pulled from daily life. “I started working with collage because I found oil paint so sophisticated, and I didn’t want to lose my sense of rawness,” Andrews said.

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Benny Andrews, ‘Portrait of Viola Andrews’, 1986, Drawing, Collage or other Work on Paper, Ink on paper, Doyle
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Save
Save
View
View in room
Share
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D
Doyle

Unframed

Medium
Signature
Signed Benny Andrews, dated August 3, 1986, inscribed Lacoste, France and as titled (lr)
Benny Andrews
American, 1930–2006
Follow

Benny Andrews’s narrative paintings tell poignant stories of social injustice. Inspired by his youth in the segregated American South, Andrews created a body of work depicting scenes from the Civil Rights movement, American Indian relocation, antiwar protests, and other cultural struggles. A self-described “people’s painter,” his overt political series are punctuated by paintings of everyday people and moments, encapsulating an expression of the human condition in times of conflict. He sought to convey authenticity of emotion by employing a painterly style reminiscent of folk art, often incorporating collaged elements pulled from daily life. “I started working with collage because I found oil paint so sophisticated, and I didn’t want to lose my sense of rawness,” Andrews said.

Benny Andrews

Portrait of Viola Andrews, 1986

Ink on paper
22 1/4 × 14 3/4 in
56.5 × 37.5 cm
Bidding closed
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