Berenice Abbott, ‘Christopher Street Shop’, 1948, Heritage Auctions
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Berenice Abbott

Christopher Street Shop, 1948

Gelatin silver
13 × 10 in
33 × 25.4 cm
Bidding closed
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About the work
HA
Heritage Auctions

Condition Report: Cornered in to a window mat measuring 21 x 17-1/2 inches; mat burn and …

Medium
Photography
Signature
Signed in pencil on mount recto; the artist's 'Abbot, Maine' stamp on mount verso
Image rights
Courtesy of Heritage Auctions
Berenice Abbott
American, 1898–1991
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Berenice Abbott is best known for her striking, black-and-white photographs of New York City buildings, which she photographed as though taking portraits. In the 1920s she served as a darkroom assistant to Man Ray in Paris (she had modeled for him earlier in New York), where she encountered such leading cultural voices of the day as James Joyce, Max Ernst, and Edna St. Vincent Millay. She found inspiration in the Parisian streetscapes of Eugène Atget, an influence that would carry into “Changing New York” (1935-38), her major body of work for the Works Progress Administration/Federal Art Project. She strove to create objective photographs that stood on their own merit, rather than referencing other art forms. “Photography can never grow up if it imitates some other medium,” she said. “It has to walk alone; it has to be itself.”

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Berenice Abbott, ‘Christopher Street Shop’, 1948, Heritage Auctions
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About the work
HA
Heritage Auctions

Condition Report: Cornered in to a window mat measuring 21 x 17-1/2 inches; mat burn and discoloration along edges of the mat, only visible when outside of frame. Framed Dimensions 22 X 18 Inches

Medium
Photography
Signature
Signed in pencil on mount recto; the artist's 'Abbot, Maine' stamp on mount verso
Image rights
Courtesy of Heritage Auctions
Berenice Abbott
American, 1898–1991
Follow

Berenice Abbott is best known for her striking, black-and-white photographs of New York City buildings, which she photographed as though taking portraits. In the 1920s she served as a darkroom assistant to Man Ray in Paris (she had modeled for him earlier in New York), where she encountered such leading cultural voices of the day as James Joyce, Max Ernst, and Edna St. Vincent Millay. She found inspiration in the Parisian streetscapes of Eugène Atget, an influence that would carry into “Changing New York” (1935-38), her major body of work for the Works Progress Administration/Federal Art Project. She strove to create objective photographs that stood on their own merit, rather than referencing other art forms. “Photography can never grow up if it imitates some other medium,” she said. “It has to walk alone; it has to be itself.”

Berenice Abbott

Christopher Street Shop, 1948

Gelatin silver
13 × 10 in
33 × 25.4 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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