Berenice Abbott, ‘Designer's Window, Bleecker Street’, 1947, Weston Gallery
Berenice Abbott, ‘Designer's Window, Bleecker Street’, 1947, Weston Gallery
Berenice Abbott, ‘Designer's Window, Bleecker Street’, 1947, Weston Gallery

Printed in the 1950s. Overmat size is 20 x 16 inches. Print is rippled. Minor creases lower right quadrant. Small chips all edges. Lower right corner repaired. Upper left quadrant obvious spotting. Trim at bottom and left, not straight - piece was hand trimmed.

Signature: Signed on back of print with artist's stamp.

About Berenice Abbott

Berenice Abbott is best known for her striking, black-and-white photographs of New York City buildings, which she photographed as though taking portraits. In the 1920s she served as a darkroom assistant to Man Ray in Paris (she had modeled for him earlier in New York), where she encountered such leading cultural voices of the day as James Joyce, Max Ernst, and Edna St. Vincent Millay. She found inspiration in the Parisian streetscapes of Eugène Atget, an influence that would carry into “Changing New York” (1935-38), her major body of work for the Works Progress Administration/Federal Art Project. She strove to create objective photographs that stood on their own merit, rather than referencing other art forms. “Photography can never grow up if it imitates some other medium,” she said. “It has to walk alone; it has to be itself.”

American, 1898-1991, Springfield, Ohio