Medium
Signature
Hand-signed by artist, Titled and dated with annotations in pencil and Federal Arts Project 'Changing New York' photographs by Berenice …

Berenice Abbott is best known for her striking, black-and-white photographs of New York City buildings, which she photographed as though taking portraits. In the 1920s she served as a darkroom assistant to Man Ray in Paris (she had modeled for him earlier in New York), where she encountered such leading cultural voices of the day as James Joyce, Max Ernst, and Edna St. Vincent Millay. She found inspiration in the Parisian streetscapes of Eugène Atget, an influence that would carry into “Changing New York” (1935-38), her major body of work for the Works Progress Administration/Federal Art Project. She strove to create objective photographs that stood on their own merit, rather than referencing other art forms. “Photography can never grow up if it imitates some other medium,” she said. “It has to walk alone; it has to be itself.”

Established
Represented by industry leading galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields, J. Paul Getty Museum
Selected exhibitions
2018
Berenice Abbott: Selections from "Changing New York"Bookstein Projects
2016
Bettina Pousttchi: Double MonumentsPhillips Collection
2013
Image Search: Photography from the CollectionPérez Art Museum Miami (PAMM)
View all

Gunsmith, 6 Central Market Place, Manhattan, 1937

Silver gelatin print. Vintage
10 × 8 in
25.4 × 20.3 cm
Sold
Location
Atlanta
Want to sell a work by this artist? Consign with Artsy.
Medium
Signature
Hand-signed by artist, Titled and dated with annotations in pencil and Federal Arts Project 'Changing New York' photographs by Berenice …

Berenice Abbott is best known for her striking, black-and-white photographs of New York City buildings, which she photographed as though taking portraits. In the 1920s she served as a darkroom assistant to Man Ray in Paris (she had modeled for him earlier in New York), where she encountered such leading cultural voices of the day as James Joyce, Max Ernst, and Edna St. Vincent Millay. She found inspiration in the Parisian streetscapes of Eugène Atget, an influence that would carry into “Changing New York” (1935-38), her major body of work for the Works Progress Administration/Federal Art Project. She strove to create objective photographs that stood on their own merit, rather than referencing other art forms. “Photography can never grow up if it imitates some other medium,” she said. “It has to walk alone; it has to be itself.”

Established
Represented by industry leading galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields, J. Paul Getty Museum
Selected exhibitions (3)
Other works from Berenice Abbott, Changing New York
Other works by Berenice Abbott
Other works from Jackson Fine Art
Related works