Berenice Abbott, ‘Rockefeller Center Going Up’, 1922, Heritage Auctions
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Berenice Abbott

Rockefeller Center Going Up, 1922

Gelatin silver
9 1/2 × 7 1/2 in
24.1 × 19.1 cm
Bidding closed
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About the work
HA
Heritage Auctions

Condition Report: Hinged along top corners into a windowed mat measuring 17 x 14 inches; bottom …

Medium
Photography
Signature
Signed and titled with the photographer's 'Abbot, Maine' stamp on verso
Image rights
Courtesy of Heritage Auctions
Berenice Abbott
American, 1898–1991
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Berenice Abbott is best known for her striking, black-and-white photographs of New York City buildings, which she photographed as though taking portraits. In the 1920s she served as a darkroom assistant to Man Ray in Paris (she had modeled for him earlier in New York), where she encountered such leading cultural voices of the day as James Joyce, Max Ernst, and Edna St. Vincent Millay. She found inspiration in the Parisian streetscapes of Eugène Atget, an influence that would carry into “Changing New York” (1935-38), her major body of work for the Works Progress Administration/Federal Art Project. She strove to create objective photographs that stood on their own merit, rather than referencing other art forms. “Photography can never grow up if it imitates some other medium,” she said. “It has to walk alone; it has to be itself.”

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Berenice Abbott, ‘Rockefeller Center Going Up’, 1922, Heritage Auctions
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About the work
HA
Heritage Auctions

Condition Report: Hinged along top corners into a windowed mat measuring 17 x 14 inches; bottom left corner is very lightly bumped; otherwise, no major apparent condition issues.

Medium
Photography
Signature
Signed and titled with the photographer's 'Abbot, Maine' stamp on verso
Image rights
Courtesy of Heritage Auctions
Berenice Abbott
American, 1898–1991
Follow

Berenice Abbott is best known for her striking, black-and-white photographs of New York City buildings, which she photographed as though taking portraits. In the 1920s she served as a darkroom assistant to Man Ray in Paris (she had modeled for him earlier in New York), where she encountered such leading cultural voices of the day as James Joyce, Max Ernst, and Edna St. Vincent Millay. She found inspiration in the Parisian streetscapes of Eugène Atget, an influence that would carry into “Changing New York” (1935-38), her major body of work for the Works Progress Administration/Federal Art Project. She strove to create objective photographs that stood on their own merit, rather than referencing other art forms. “Photography can never grow up if it imitates some other medium,” she said. “It has to walk alone; it has to be itself.”

Berenice Abbott

Rockefeller Center Going Up, 1922

Gelatin silver
9 1/2 × 7 1/2 in
24.1 × 19.1 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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