Bernar Venet, ‘Ligne indéterminée’, 1989, ARCHEUS/POST-MODERN

This work is registered in the Venet Studio archives #bv89ss15.

Venet initially created works based on strict mathematics, geometric angles and arcs. In a contrasting development, he later began a series based on randomly created lines, somewhat Dadaist in conception, investigating intuitive rather than rational thought. As with other sculptures in Venet’s Indeterminate Lines series, this work was improvised first in a sketch on the artist’s studio floor.

Signature: Signed and dated on the underside

Galerie Enrico Navarra, Paris; Acquired from them by the previous owner

About Bernar Venet

Bernar Venet is a Conceptual artist best known for his versatility in multiple mediums, including painting, drawing, sculpture, installation, as well as stage design and musical composition. Venet became well known in the 1960s for his amorphous installations made by piling up loose gravel, coal, or asphalt; and “industrial paintings” from cardboard reliefs or tar. (Around that time, he decided to drop the last letter from his given name, Bernard.) Shortly after, inspired by the works of Minimalist sculptors like Donald Judd, Dan Flavin, and Carl Andre, Venet began to produce wall-mounted and freestanding metal sculptures. Among the best known are his torch-cut steel plates and beams resembling scribbles, lines, and arcs. Venet says that his sculptures are about “how metal resists. They are a test of strength—a battle between myself and the piece of metal.”

French, b. 1941, Chateau-Arnoux, France, based in Nice, France