Bernar Venet, ‘Lignes droites / Obliques’, 1996, Phillips
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Bernar Venet

Lignes droites / Obliques, 1996

Oilstick on paper
47 × 35 1/5 in
119.4 × 89.4 cm
Bidding closed
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About the work
Provenance
P
Phillips

Property Subject to the Artist's Resale Right (see Conditions of Sale for further information)

Medium
Painting
Signature
Signed, titled and dated '"Lignes droites / Obliques" B. Venet '96' lower left
Bernar Venet
French, b. 1941
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Bernar Venet is a Conceptual artist best known for his versatility in multiple mediums, including painting, drawing, sculpture, installation, as well as stage design and musical composition. Venet became well known in the 1960s for his amorphous installations made by piling up loose gravel, coal, or asphalt; and “industrial paintings” from cardboard reliefs or tar. (Around that time, he decided to drop the last letter from his given name, Bernard.) Shortly after, inspired by the works of Minimalist sculptors like Donald Judd, Dan Flavin, and Carl Andre, Venet began to produce wall-mounted and freestanding metal sculptures. Among the best known are his torch-cut steel plates and beams resembling scribbles, lines, and arcs. Venet says that his sculptures are about “how metal resists. They are a test of strength—a battle between myself and the piece of metal.”

Bernar Venet, ‘Lignes droites / Obliques’, 1996, Phillips
Save
Save
View
View in room
Share
Share
About the work
Provenance
P
Phillips

Property Subject to the Artist's Resale Right (see Conditions of Sale for further information)

Medium
Painting
Signature
Signed, titled and dated '"Lignes droites / Obliques" B. Venet '96' lower left
Bernar Venet
French, b. 1941
Follow

Bernar Venet is a Conceptual artist best known for his versatility in multiple mediums, including painting, drawing, sculpture, installation, as well as stage design and musical composition. Venet became well known in the 1960s for his amorphous installations made by piling up loose gravel, coal, or asphalt; and “industrial paintings” from cardboard reliefs or tar. (Around that time, he decided to drop the last letter from his given name, Bernard.) Shortly after, inspired by the works of Minimalist sculptors like Donald Judd, Dan Flavin, and Carl Andre, Venet began to produce wall-mounted and freestanding metal sculptures. Among the best known are his torch-cut steel plates and beams resembling scribbles, lines, and arcs. Venet says that his sculptures are about “how metal resists. They are a test of strength—a battle between myself and the piece of metal.”

Bernar Venet

Lignes droites / Obliques, 1996

Oilstick on paper
47 × 35 1/5 in
119.4 × 89.4 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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