Bernar Venet, ‘Variations on the Arc IV’, 2002, Galerie Raphael

Silkscreen on wove, from the album "Variations on the Arc", 2002. Edition of 25, numbered 10/25, signed. Published by Art of this Century, New York.

Series: "Variations on the Arc" portfolio

Signature: Signed and numbered.

Publisher: Art of this Century, New York

About Bernar Venet

Bernar Venet is a Conceptual artist best known for his versatility in multiple mediums, including painting, drawing, sculpture, installation, as well as stage design and musical composition. Venet became well known in the 1960s for his amorphous installations made by piling up loose gravel, coal, or asphalt; and “industrial paintings” from cardboard reliefs or tar. (Around that time, he decided to drop the last letter from his given name, Bernard.) Shortly after, inspired by the works of Minimalist sculptors like Donald Judd, Dan Flavin, and Carl Andre, Venet began to produce wall-mounted and freestanding metal sculptures. Among the best known are his torch-cut steel plates and beams resembling scribbles, lines, and arcs. Venet says that his sculptures are about “how metal resists. They are a test of strength—a battle between myself and the piece of metal.”

French, b. 1941, Chateau-Arnoux, France, based in Nice, France