Bernard Buffet, ‘Arums, fond jaune (Arums, Yellow Background); and Lys et iris (Lilies and Iris)’, 1980, Phillips

Arums image: 25 5/8 x 19 5/8 in. (65.1 x 49.8 cm)
Arums sheet: 29 3/4 x 21 1/4 in. (75.6 x 54 cm)
Lys Image: 25 5/8 x 19 5/8 in. (65.1 x 49.8 cm)
Lys Sheet: 29 3/4 x 21 1/4 in. (75.6 x 54 cm)

Both signed, Arums, fond jaune annotated 'E.A.' and Lys et iris numbered 140/150 in pencil (Arums an artist's proof, the edition was 150, there were also 30 artist for Lys et iris), published by Editions Mourlot, Paris, both unframed.

Charles Sorlier 335 and 341

Private Collection

About Bernard Buffet

Embodying Jean-Paul Sartre’s Existentialism and Albert Camus’s Absurdism, Bernard Buffet’s painting conveyed the anxiety that permeated France during the Nazi occupation and came to dominate the post-war figurative art scene. A member of a group called L’Homme Témoin (The Witness) along with Bernard Lorjout and André Minaux, Buffet developed a realist style infused with social criticism, featuring a restrained palette and black outlines. He is best known for his grim “Horror of War” series and myriad streetscapes and interior scenes populated by angular, emotionless figures. Self-portraits, religious scenes, still lifes also figure among his oeuvre, which extends to lithography, engraving, and sculpture. While Buffet continued to enjoy success as a commercial artist until a debilitating illness prompted him to commit suicide, his work fell out of favor among critics in the 1960s and remains relatively unknown.

French, 1928-1999, Paris, France, based in Paris, France