Both images: 20 x 25 1/2 in. (50.8 x 64.8 cm)
Both sheets: 22 7/8 x 30 in. (58.1 x 76.2 cm)
Both signed and annotated 'E.A.', Le Palais des Doges dedicated 'Pour Jacques et Liliane Mourlot' in pencil (artist's proofs, the edition was 30 in black, there was also an edition of 150 in colors), both unframed.
Charles Sorlier 490 and 497
Atelier Mourlot Collection and Archive, Paris (inkstamp on the reverse and accompanying certificate #7210 and #7211)
About Bernard Buffet
Embodying Jean-Paul Sartre’s Existentialism and Albert Camus’s Absurdism, Bernard Buffet’s painting conveyed the anxiety that permeated France during the Nazi occupation and came to dominate the post-war figurative art scene. A member of a group called L’Homme Témoin (The Witness) along with Bernard Lorjout and André Minaux, Buffet developed a realist style infused with social criticism, featuring a restrained palette and black outlines. He is best known for his grim “Horror of War” series and myriad streetscapes and interior scenes populated by angular, emotionless figures. Self-portraits, religious scenes, still lifes also figure among his oeuvre, which extends to lithography, engraving, and sculpture. While Buffet continued to enjoy success as a commercial artist until a debilitating illness prompted him to commit suicide, his work fell out of favor among critics in the 1960s and remains relatively unknown.
French, 1928-1999, Paris, France, based in Paris, France